Detective City Angel: A Film by Alessandro Cima


First, here’s a nice review and interview about the film at Dangerous Minds. Want to follow a secret identity artist through a dangerous Los Angeles as he escapes and hits like a criminal? Hang on and watch carefully. You may need to watch it 14 times to catch the drift. But you’ve probably got that kind of time anyway. This is a Los Angeles crime film. But it’s as if several films on celluloid fused together and what you end up with is an art film that gets overwhelmed by urban documentary and then collapses into a narrative thriller. It’s filled with hints, clues, evidence and misdirection. Images, ideas and sounds bounce off each other, mirror each other. There are secrets in this film. You have to watch carefully, through layers to catch things. I’ve tried to make a film that moves like disjointed thoughts toward the preordained ending. Continue reading

A Journalist’s Song: Video From Michel Montecrossa

Michel Montecrossa continues his underground assault on currently active oppressors, liars and cheats who simply don’t know how to live properly. I like this guy, Montecrossa. He’s hitting something that is sorely lacking these days and he keeps hitting it cheerfully and with conviction. He digs himself and what he does and that is good because it puts irony in the dumpster where it belongs. You know, of all the basic forms of humor, irony is actually the most depressingly childish. Here is Montecrossa countering the bullshit from Rupert Murdoch and keeping it simple.

Culture Shock, Level One – A Film by Bill Mousoulis

Bad Lit: The Journal of Underground Film posted a film by Bill Mousoulis called The Experimenting Angel. I liked it. So I’ve posted another of Mousoulis’ films. It features Jennifer Levy who returns from a long absence to Australia and feels dislocated while visiting a city. She wonders why the people seem so ‘deflated’ as they wander through various public/corporate spaces like malls. The film captures something increasingly common worldwide which is that quiet, blank, but seemingly normal behavior encouraged by any structure designed and erected with a corporate idea behind it. We all know how we are expected to behave when we walk past a row of Gaps, Starbucks, Banana Republics and Wetzle’s Pretzels. We obey. We perform the routine and go about our business making sure that we are perceived as correctly normal. We are guests in someone else’s house, even in our public spaces. We behave like new guests, ingratiating ourselves to the dome camera in the ceiling.  The cell phone is the absolute symbol of complete obeisance to the corporate superstructure looming above us.  We are told to engage in meaningless chatter while we walk, drive, breathe, eat, date, watch movies, run, bike, and work.  We are told to do this until it seems like normal and seems to make perfect sense.  It is as logical as being told to drop a penny on the ground every third step for every day of your life.  Steve Jobs tells you to leave him a penny on the ground every third step of every day of your life… and you damn well do it.  You know how many times Steve Jobs uses a cell phone during an average day?  None.  Why?  Because he’s much smarter than you are.

Dreams That Money Can Buy – 1947 Underground Feature Film by Hans Richter

Inspired by a Hans Richter film posted by Dangerous Minds, I went looking for more. I found this extraordinary gem, Dreams that Money Can Buy, which is a low-budget feature film produced and directed by Richter with some of his incredible friends in 1947. They shot the film in a New York loft. It’s essentially an underground experimental film about a guy who gets an apartment and worries about how to pay the rent. When he discovers that he has the power to see into his mind through the reflection of his eye, he seizes upon an idea to create a business selling dreams to people who are unhappy with their lives.  So of course the film features seven surrealist dream sequences!

Brilliant! Some of the people involved with this fantastic film were Max Ernst, Paul Bowles, Marcel Duchamp, Alexander Calder, John Cage, Fernand Leger, and Man Ray.

You can watch the film in its 8 YouTube parts right here or you can go download it from

Part 2

Parts 3 – 8 after the jump!

Continue reading