Elegìa: A Film by Fred. L’Epee and Dimitra Pouliopoulou

Filmmakers Fred L’Epee and Dimitra Pouliopoulou deal with the emotions of video. Their short films are visual poems in the most real sense. I like the way they flirt with the techniques of celluloid while remaining firmly anchored in video. The two things, rather than cancelling each other, work together to offer a filmmaker more tools for opening eyes and insisting that people fully observe. This kind of film dances between reality and abstraction. The ships are placed so that they traverse a line between light and dark, high and low, space and time.

Woodpecker: A Film by Rouzbeh Rashidi

Rouzbeh Rashidi is an Iranian filmmaker living in Dublin, Ireland. This film is a portrait of a day in the life of a man who works at a convenience store. Rashidi doesn’t want to show you the things you might want to see in a person’s normal day. He is interested in minute and detailed impressions. He focuses closely on things and lets them speak for themselves. The film conveys an unsettling mystery through its calm observation and beautiful black and white photography.  One of the most interesting things about this film for me is simply how happy the film’s subject looks while he is working.

The filmmaker has a website.

Monologue Under White Light! – A Film by Samira Eskandarfar

A ravishing beauty from Iran! Look at this mysterious and subtle film by director Samira Eskandarfar. Her figures drift through time and space in a stage setting that seems open-ended and universal. The underlying themes and messages are probably far more complex than I can ascertain without a proper understanding of Iranian culture. But the film stands as a mysterious and slightly harrowing glimpse into the progress of attraction, love and communication between individuals.  The characters, played by Kazem Sayahi Saharkhiz and Faranak Miri, engage in mundane conversation, offer each other drinks, smoke cigarettes, make eyes at each other, play music on a tape recorder and disappoint each other in all the little ways of a normal life.  But they seem symbolic of something greater and perhaps very much to do with the filmmaker’s Iran.  There are some amazing artists working with enormous expressive power in Iran.  Samira Eskandarfar is one of them.

By the way, the filmmaker is also a painter.

Visit the filmmaker’s web site.