Plot Device: Short Film

Seth Worley made this very fun and amusing tour through plot and genre as a sort of advertisement for Red Giant which provides filters used in video editing. A struggling video maker happens upon a ‘plot device’ and all sorts of trouble begins. Each segment has its own unique and appropriate look achieved through the use of Magic Bullet filters.

Ready (Re’Search Wait’S), 2009-2010: A Film by Ryan Trecartin

Do you know who Ryan Trecartin is? You better. He’s making the wildest and best videos to be found online or in a gallery anywhere. This piece is about to open with six others to form an epic at the Museum of Modern Art P.S.1 in New York. It’s a warped and wicked view of corporate career life and behavior as practiced by characters whom I suspect would not even want to be considered normal. They spout company lingo and get it all twisted back inside of itself until it starts to sound like perfect sense and is just as valid as what you hear daily in the offices of any company. Trecartin is onto the fact that our economy has failed and millions of people are out of work because their jobs were bullshit to begin with. At minimum, 75% of jobs in corporate America are completely unnecessary. They are a busy-work scam based on particular rhythms and mannerisms and they produce nothing at all. The characters in this video revel in their uselessness. They gloat, the whine, they insult, they mock. They are amped up to be as irritating as possible. Their voices grate like demented cartoon characters. These videos are like the visions of a child computer in orbit that scans human beings and then tries to reproduce them but gets it wrong. These are digital creatures more than they are actual human characters.

Not to mention the fact that Trecartin’s intentionally clumsy and cheeseball imagery is simply gorgeous. The videos are extremely deceptive. They are so freely expressive as to be nearly psychotic. But always just enough under control to imply meanings with great subtlety. Right now these films of Ryan Trecartin represent the avant-garde’s leading edge.

Elegìa: A Film by Fred. L’Epee and Dimitra Pouliopoulou

Filmmakers Fred L’Epee and Dimitra Pouliopoulou deal with the emotions of video. Their short films are visual poems in the most real sense. I like the way they flirt with the techniques of celluloid while remaining firmly anchored in video. The two things, rather than cancelling each other, work together to offer a filmmaker more tools for opening eyes and insisting that people fully observe. This kind of film dances between reality and abstraction. The ships are placed so that they traverse a line between light and dark, high and low, space and time.

Film: Sweetheart

Here’s a music video made entirely out of illustrations, photos, and text from second-hand books! I never watch music videos all the way through. But I watched this one and admired its clever associations of images to lyrics. It’s all spelled out for you in the most charming and humorous way.  Good song too!  Ben Reed made this for a band called The Wave Pictures.