Crosscurrents: Film About Pacific Standard Time Art Exhibits Focused on Los Angeles Art From 1945 – 1980

Pacific Standard Time is a massive overview of Los Angeles art from 1945 to 1980. At least sixty galleries and museums are taking part over the next few months. I have already been to the largest exhibits at the Museum of Contemporary Art, Los Angeles County Museum of Art, and the Getty Center. The whole thing is a lot of fun and I have discovered artists I never knew about before. There are magnificent things on display and the curators have also published big books to go along with each exhibit. I seriously recommend that you always get the books because they have far more information in them than the exhibits themselves. I view it as my own effort to compile a record of this unique regional art show.

You can find almost everything you need at the Pacific Standard Time web site.

This film was put together for the Getty Center’s flagship exhibit, Crosscurrents, which covers 1950 to 1970. It’s a very nice little documentary about some of the major art developments in Los Angeles.

Los Angeles to Ease Restrictions on Murals

The Los Angeles Times reports that the City Council is easing its restrictions on outdoor murals.  It will no longer classify them the same way it does billboards.  Since 2002 it has been illegal to paint a mural on private or public property because the artworks are considered advertisements.  But Los Angeles is going to try to do a better job of distinguishing between the two.

Of course this will all get muddled again as soon as an artist paints a figure holding a can of Coke!  Is it art or is it an ad?  As a rule though, it is never difficult to tell when something is a giant ad and when it’s not.  It just takes a little common sense and observation.  Surely the City Council can manage this.

But the bottom line is that the murals of L.A. are inspiring and extraordinary.  The city needs to reclaim its title as ‘The Mural Capital of the World!’

The photo is a portion of a photo by Al Seib for the Los Angeles Times,  April 6, 2011.

Seizure: A Magnificent Cry for Art by David Vaipan

At the start, I’ll say that this is one of the most magnificent films I have seen in years. David Vaipan has made this relentless and fully-committed scream of artistic intent, desire, confusion, effort and love. This is a film about being an artist. It is a film about fear and confidence. About effort, will and failure. Vaipan simply takes the entire history of art and all that it has given him and dumps it out on his desk and turns it all into his own material. All of art, music, film, literature and poetry become Vaipan’s crayons and he uses them to tell his own personal story.

The film bombards with imagery. Just gaze in wonder at the crayon animated memoir that’s presented like a little puppet theater show. It moves from birth to boarding schools to Wall Street and beyond with effortless skill. The drawings are amazing and funny. Just when you think you’ve seen plenty Vaipan moves into a stick figure run through the history of art and it just keeps coming at you. He cuts and chops and mixes and slides and just keeps streaming the grandeur of art at us like a force of nature. He’s completely lost inside the world of inspiration. He sees the fear of getting lost in the pile – the fear of being ignored – and he literally revels in the fear itself. He makes the fear seem like something to seek. This is a grand and important statement from someone who I think is a young artist. The tools of his trade are digital and he uses them freely with a wild eagerness to explore that is extremely difficult to maintain. The unabashed use of video effects and computer equipment as if they are the oil paints and charcoals inside a painter’s box is one of the hallmarks of the emerging American video art movement. I can see the influence of Ryan Trecartin’s work in this. There’s a familiarity with digital layers that is of primary significance in this recent art. There’s a hard-edged willingness to allow the digital processes to show through. It’s sort of a freedom with the computer and video that means one doesn’t have to make anything necessarily look the right way or look like something it isn’t.

You have to really watch this film very closely and try to catch the pieces of the roaring mass of art thrown at you. Even the ending credits are a complete statement in themselves with the director drunkenly singing the Rolling Stones’ ‘Sympathy For the Devil’ in the background.

So many people are part of this film. Kenneth Anger, Stan Brakhage, Jean Luc Godard, Maya Deren, Luis Bunuel, Stanley Kubrick, David Foster Wallace, Michael Snow, Agnes Varda, to name but a few.

I know that the intertitles and other things flash by too quickly to grasp and maybe that intimates something about the info-age and attention spans, it’s why your lord Hiesos Kristos, magician of the beautiful, invented the pause button and that’s also why the real Creator (one D. Vaipan) put this on the internet rather than wherever, because you have control.

See? That’s one of the little treasure waiting for you in the end credits of this gigantic and raving epileptic fit of a film that should ultimately bring you close to tears and make you want to explode in all directions and actually truly and finally… make something!

Here is the artist’s web site.

Write Like a Pretentious Artist! The Arty Bollocks Generator!

German film director, Werner Herzog.

If you simply must hang your work in a gallery, then here is the tool you’ll need to make just the right impression on your viewing public: The Arty Bollocks Generator.

It’ll flawlessly create your entire artist’s statement for any truly serious and irreproachably artistic endeavor.

Some samples:  ‘My work explores the relationship between the tyranny of ageing and skateboard ethics.’

‘As shifting phenomena become frozen through emergent and personal practice, the viewer is left with a statement of the limits of our world.’

Please be serious, donate to a charity, write a manifesto, and for god’s sake go to a gallery for some bloody education!  Then take yourself to see a fine German movie… film, I meant ‘film.’  Okay?

Now get going.

And for further sublime examples of pretentious statement-making, try Werner Herzog’s film school!

TED Film From Arrested Chinese Artist

This is a film presented at the TED conference from the famous Chinese artist who was recently kidnapped by Chinese authorities. He has completely vanished along with thousands of other artists, journalists, writers, intellectuals and human rights workers who have been taken in the past several months. This artist speaks very simply and clearly about the situation in his country where his government watches him all day long and sees nothing wrong with bulldozing his studio to the ground because he expresses some criticism of what he sees around him.

What I do not respect about this video is the simpering nitwit from TED who introduces the film by stating that the TED conference takes no position on China. He then goes on to bend over for China and mentions how many people have been lifted from poverty in China. How far up China’s ass can this guy fit his head, I wonder? How can any organization not take a position on China? I’m sure if Hitler were around today and rambling across the land on an extermination campaign, this bunch from TED would take no position on that.

Look at this little notice on TED’s YouTube page where the film is hosted:

TED is a non-partisan, nonpolitical organization and we understand the Chinese authorities concern at anything which might provoke social unrest. But for anyone who believes in the power of ideas, of human imagination, it is heartbreaking to see one of the world’s great artists shackled in this way. We will be tracking developments carefully. Here is the film.

TED ‘understands the Chinese authorities concern at anything which might provoke social unrest!’

Oh my god!  Yes indeed.  They understand this concern of a totalitarian murdering government that is more than happy to make people vanish into prison because they want to complain about being beaten by a policeman.

Hey TED, here I come with my ticket!  Gosh, I wouldn’t want you to be concerned that I might boo one of your presentations.  Wouldn’t want that, would we?

Lifting people out of poverty in China is not what we need to be doing. We need to be shutting these people out entirely. We need companies that do not fill their computers with Chinese parts. We need toys that do not come painted with Chinese lead poison. We need to treat this totalitarian country the way it deserves to be treated. A rich China doing business with every company on the planet is not going to advance freedom for anyone. China needs to be pushed into abject and brutal poverty. Only then will the conditions exist for a revolution.

I opened up my Dell computer the other day to blow some dust out. The first things I saw were multiple ‘Made in China’ stickers on various components. Screw Dell. Screw every Western company that buys a single circuit board from China. Screw China.