Spanish film director and original member of the Surrealist movement, Luis Buñuel, directed this version of Daniel Defoe’s ‘Robinson Crusoe‘ in 1954. It’s a very good and straightforward telling of the story with a totally convincing island locale. The Defoe novel is now more important reading than it’s ever been. That’s because it is the greatest story ever told about being alone with one’s self. All you have to do is live in Los Angeles for a while with your eyes open to understand how few people want to ever be alone with themselves. You see this problem with people very clearly when they break up with significant others and immediately slide into whatever relationship presents itself. It signifies a profound weakness of mind and character. Defoe wrote about the intricate workings of a mind alone with itself and the unexpected joys and truths one discovers in one’s self. So, read the book. It’s a tough book, full of very fine sentences and very subtle thought. Give it a try.

If you are so inclined, you can listen to the entire book right here because I sat down and read the whole thing into a microphone several years ago. But I suggest you listen now and then while making your way through the book on your own.

Here’s an article on Luis Buñuel at the Senses of Cinema site.

This 1963 Czechoslovak science fiction film directed by Jindrich Polák is an adaptation of a Stanislaw Lem novel called ‘The Magellanic Cloud.’ Reflexively, one tries to find similarities between this film and Kubrick’s ’2001: A Space Odyssey.’ But I think the better place to look for influence is in Andrei Tarkovsky’s 1972 film, ‘Solaris,’ which was also a Lem adaptation. ‘Ikarie XB-1‘ follows the crew of a ship sent to investigate a planet orbiting Earth’s nearest star, Alpha Centauri. On the way, they encounter a derelict space ship from 1987 Earth which appears to originate from the United States and carries a load of deadly poison and nuclear weapons. Crew members begin to inexplicably fall asleep. The ship also finds a giant dark star that emits an unknown type of radiation from which the humans are mysteriously rescued. The end of the film is a stunning sequence of mental breakdown leading to fantastic and life-affirming discovery.

But the various events do not matter as much as the way the film dwells on the people within their technological surroundings. It’s the focus on the mental status of the crew as opposed to exciting episodes that makes for the strength of this film and its influence on ‘Solaris.’ The film has a calm and quiet approach, simply trying to let us feel the vast distances traveled by the crew. The sets and visual effects hover between beautiful and unconvincing. But they work and are often effective. It’s really a pretentious art film in space. If you like Eastern Bloc science fiction and Stanislaw Lem’s peculiar writing, this is a must see.

Here’s the first official trailer for Disney’s upcoming film, ‘John Carter.’ It’s an odd way to retitle Edgar Rice Burroughs’ science fiction novel, ‘A Princess of Mars.’ But that’s what they’ve done. I don’t imagine there are too many people who will go see a movie named for someone called John Carter. But anything is possible. If you’d like to put up with some very bad writing by Mr. Burroughs, you can listen to Candlelight’s complete audio book version of the novel. I’m not sure why I recorded it at all. Burroughs turned what should have been a short story into a novel by making all of his sentences run the length of football fields.

Gene Fowler, Jr. directed this peculiar Beatnik crime noir in 1959. It starts right off with a Beat jazz club and then just gradually slides into trying to be a crime thriller. It’s about an out of work actor, an unpublished novelist and a movie-star’s son who are teamed up by the club owner to pull off an armored car robbery. The Beat scenes start off in Los Angeles and then the action moves by train toward New York, with a four-hour layover in Chicago where the crime is to occur. I love all the jazzy xylophone music, the black-clad dancing girl, the paintings on the walls, the bohemian sleeping quarters and the silly little beards. I think we really need to bring back the whole idea of the Beat jazz club. I’d go for sure.

The movie has some great touches. Like the hard luck actor reciting Shakespeare’s ‘Taming of the Shrew’ along with an LP. There’s my favorite line, delivered by the club owner: ‘When in Rome, Sydney, do the Romans.’ The poet giving a performance with musical backing says, ‘The passengers on this sad train are the five senses.’

‘Day the World Ended’ is a 1955 science fiction horror film directed by Roger Corman.  Atomic war has destroyed civilization.  A scientist and other survivors must defend themselves against a monster.

Watch parts 3 – 8 after the jump.

Batman and Robin was a Columbia Pictures serial of 1949. It starred Robert Lowery as the batman and a rather stolid little fellow named Johnny Duncan. It’s a totally awkward, cheesy and humorless affair that very perfectly captures the true spirit of the comic book.  But shockingly there’s no batmobile!  The caped crime-fighting duo drive around in an old Mercury convertible as if they’re married and looking for a gas station.

Look, if Christopher Nolan wants to try to convince us all that he can make gritty realistic films about Batman, go ahead and let him. He’s wasting his own time. Batman is an absurdity and should be filmed as such. Enjoy this horrendous bit of movie serial history and don’t try to figure out all the machines and criminal plots. None of it makes any sense at all!
 

Here’s a horror film shot in 1959 and then released in 1961 about a group of young people who find themselves prey for a sadistic hunter on an island. It is quite obviously a rip-off of ‘The Most Dangerous Game‘ which was filmed in the thirties as a warm up for the sets and special effects of King Kong.

Oh dear! What have we here? This is a Bollywood science fiction (and I use that term very lightly!) film that was apparently made in 1967, though it looks more 1950s to me. It was directed by one T.P. Sundaram. It is ostensibly about an astronaut who gets kidnapped to the moon and then has to fight for the moon princess and her kingdom when martians try to invade. The movie is a roaring low-fi spectacle with songs, fights and cheesy cardboard special effects. Spaceship controls are actually steering wheels. If you want some good advice, skip through to the 2 hour 15 minute mark and just watch the glorious action sequence that closes the film. You will see grown men fighting with giant sparklers aboard a crash-landing spaceship. You’ll see robots, a Cyclops, and two men engaged in a lunar surface wrestling match that makes Captain Kirk look like Bruce Lee’s star pupil. You will then see a rhinoceros. If you are not laughing hard enough to burst a vessel of some sort, then I don’t think anything can be done for you!

The magnificent Hong Kong film director, Wong Kar Wai, is nearing completion of a new film called ‘The Grand Master.’ It’s a kung fu flick! The film was rumored to have been in a production halt, but now it looks as if things are coming together. It’s hard to find accurate information about this director’s work so I’ll just leave you with this very wet trailer.