Rabbit Ears: Experimental Film by Alessandro Cima


Imagine an insane alien astronaut who tunes into earth’s radiating television signals originating in the analog days of the twentieth century. The alien receives our entire TV culture in seconds, processing the sounds and images instantly, watching them all simultaneously… and the alien is crazy enough to find a message within.

This is an experimental film that is for all intents and purposes a continuation of my previous film, “The Magical Dead Sunstroke Valley,” which has been screening for the past year at the Los Angeles Center for Digital Art (LACDA).

Short Experimental Western Film: The Magical Dead Sunstroke Valley


A film combining the mythology of the Hollywood/Spaghetti western, Tarot, magic, occult, Jungian psychology, and mysticism with flamboyant, multi-layered, supersaturated imagery.

Multiple narratives conflict and adhere. Meanings emerge and contradict. Music and dialog tell another layered story, sometimes agreeing with the images, sometimes trying to subvert them.

A film should be a container for the psychic unconscious energy of its creator. That is what this is.

There is also a commercial.

Documentary: Los Angeles Meets the Megalith

Artist Michael Heizer’s enormous new work on the grounds of the Los Angeles County Museum of Art required a 340-ton boulder as its centerpiece. The boulder had to be transported over 100 miles from its quarry. At first, I was very interested in this rock. It’s huge! But soon I became more interested in the city’s reaction to the rock. So this film documents the final few miles of the rock’s journey, but it also documents the people who came out to be a part of the great Los Angeles rock transport. The film is part documentary and part personal impression. The simple fact of the matter is that the rock’s arrival is an unusual milestone in the life of this city. You can tell that simply by looking at the faces in my film.

Detective City Angel: A Film by Alessandro Cima


First, here’s a nice review and interview about the film at Dangerous Minds. Want to follow a secret identity artist through a dangerous Los Angeles as he escapes and hits like a criminal? Hang on and watch carefully. You may need to watch it 14 times to catch the drift. But you’ve probably got that kind of time anyway. This is a Los Angeles crime film. But it’s as if several films on celluloid fused together and what you end up with is an art film that gets overwhelmed by urban documentary and then collapses into a narrative thriller. It’s filled with hints, clues, evidence and misdirection. Images, ideas and sounds bounce off each other, mirror each other. There are secrets in this film. You have to watch carefully, through layers to catch things. I’ve tried to make a film that moves like disjointed thoughts toward the preordained ending. Continue reading

Wall – Ethos: A Film by Alessandro Cima

Brazilian artist Claudio Ethos works on his first Los Angeles art piece. I happened upon him down on Main Street and thought he was a worker about to paint over a painting of a face. I started shooting and after several minutes realized that he was the artist.

Glass Boulevard

Filmed in the dullest imaginable environment of shops along a major Los Angeles street at night when the shops were closed.

My Christmas film.

The music is a public domain recording of Artie Shaw and his orchestra playing ‘There’s Something in the Air’ in 1936. The singer is Peg LaCentra. I found it at the Internet Archive.