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	<title>Candlelight Stories &#187; Fiction</title>
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		<title>Crime Stories: Trust</title>
		<link>http://www.candlelightstories.com/2010/10/15/crime-stories-trust/</link>
		<comments>http://www.candlelightstories.com/2010/10/15/crime-stories-trust/#comments</comments>
		<pubDate>Fri, 15 Oct 2010 23:16:39 +0000</pubDate>
		<dc:creator>Alessandro Cima</dc:creator>
				<category><![CDATA[Crime Stories]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[crime]]></category>
		<category><![CDATA[mystery]]></category>
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		<description><![CDATA[By Ingela Richardson The author lives with her daughter at the seaside in a rambling, crumbling house full of dogs, cats, an ancient grandmother and an equally ancient retainer who all speak foreign languages. Adult Themes Trust The young girl was sleeping, her face and hair so pale under the luminous lights that the teacher held her [...]]]></description>
			<content:encoded><![CDATA[<!-- Flash Video Resizer 1.5 : 580pixel --><p><strong><a href="http://www.candlelightstories.com/Blog/wp-content/uploads/2010/10/CrimeStoriesLogo.jpg"><img class="alignleft size-full wp-image-5520" title="CrimeStoriesLogo" src="http://www.candlelightstories.com/Blog/wp-content/uploads/2010/10/CrimeStoriesLogo.jpg" alt="" width="300" height="186" /></a>By Ingela Richardson</strong></p>
<p>The author lives with her daughter at the seaside in a rambling, crumbling house full of dogs, cats, an ancient grandmother and an equally ancient retainer who all speak foreign languages.</p>
<p style="text-align: left;"><em>Adult Themes</em></p>
<p style="text-align: center;">
<h2 style="text-align: left;">Trust</h2>
<p style="text-align: center;">
<p>The young girl was sleeping, her face and hair so pale under the luminous lights that the teacher held her own hand against the girl&#8217;s mouth to feel if she was still breathing.</p>
<p>The hospital was deathly silent with pools of light at other beds and the nurse&#8217;s station, but there were no other occupants and the nurse was fetching coffee.</p>
<p>&#8220;She&#8217;s okay,&#8221; a voice said and the teacher actually jumped backward in surprise, so deep had been her concentration on the girl&#8217;s face.</p>
<p>&#8220;Sorry,&#8221; the man apologized and extended a hand, &#8220;I&#8217;m Doctor Smith.&#8221;</p>
<p>&#8220;Smith?&#8221; she said, for want of anything better to say and shook his hand. He shrugged and lifted the girl&#8217;s heavily bandaged arms.</p>
<p>&#8220;You see?&#8221; he said, &#8220;If she were dead, the pathologists would be saying she had raised her arms against the knife in self-defense&#8221;.</p>
<p>&#8220;Against whom?&#8221; the teacher asked.</p>
<p><span id="more-5518"></span></p>
<p>Doctor Smith laid the girl&#8217;s arms back on the bed with an almost unbearable gentleness and said quietly, &#8220;Herself of course.&#8221;</p>
<p>The teacher had to clear her throat to speak again, &#8220;And you asked me to come. Why?&#8221;</p>
<p>He smiled, but could not raise his eyes to look at her, &#8220;Her parents would not,&#8221; he said, &#8220;and she had been calling your name.&#8221;</p>
<p style="text-align: center;">*****</p>
<p>She was lost in a very strange dream. There were men and women in white coats flapping about everywhere like moths and she kept saying, &#8220;Yes, but my mother. I want to see my mother&#8221;, while the white-coated people flapped away out of reach. She was muttering, moaning and woke herself up. Still in the hospital; still in the dimmed fluorescent lights. But the girl was staring at her through opaque blue eyes.</p>
<p>&#8220;Hello,&#8221; she whispered. She had turned on her side and was resting her head on one of her wounded arms. &#8220;You came.&#8221;</p>
<p>&#8220;Of course. How are you?&#8221;</p>
<p>She felt fuzzy and uncertain. What was she supposed to do or say? In the end she could only resort to honesty. She couldn&#8217;t bear politeness.</p>
<p>The girl smiled. &#8220;That&#8217;s why I wanted you to come,&#8221; she said, &#8220;You know.&#8221;</p>
<p>&#8220;I know?&#8221; she repeated looking in the clear, blue eyes for some kind of emotion, but they were as flat and clear as the sea on a sunny day.</p>
<p>&#8220;I don&#8217;t have to explain to you,&#8221; the girl said. &#8220;You know all about it.&#8221;</p>
<p>Know everything, but did nothing, the words seemed to imply. Yet the girl&#8217;s eyes showed no anger. They were opaque and expressionless as usual. What could be more hopeless and frustrating, the woman thought, than being aware of a crime, yet being unable to prevent it?</p>
<p>&#8220;How are you?&#8221; she asked again instead, knowing the words sounded banal and trite.</p>
<p>&#8220;I&#8217;m free,&#8221; the girl said and turned on her side to face the woman directly. &#8220;No one will ever hurt me again.&#8221;</p>
<p>There was such fierce determination on her face that the woman had to look away.</p>
<p>&#8220;Is there anything you need?&#8221; she asked.</p>
<p>&#8220;Yes,&#8221; the girl said. &#8220;I need people to know the truth. I want you to tell them the truth. Will you do that for me Claire?&#8221; her hands reached out and all Claire could do was take them and mutter helplessly, &#8220;I&#8217;ll try&#8221;.</p>
<p>&#8220;No,&#8221; the girl said, &#8220;You must. There is no other way. You have to tell the police that they tried to kill me.&#8221;</p>
<p>In a reflex movement, Claire tightened her grip on the girl&#8217;s hands.</p>
<p>&#8220;Who?&#8221; she said, thinking of the young doctor&#8217;s comments.</p>
<p>&#8220;My parents of course,&#8221; the girl said, &#8220;You have known that they wanted to kill me for a long time now. My soul they killed long ago, but my body &#8211; this is the evidence they have to remove.&#8221;</p>
<p>Claire was so terrified by the look of fanaticism in the girl&#8217;s eyes that she dropped her hands, exclaimed and backed away. Had she finally gone mad? Was it the medication?</p>
<p>&#8220;You will do it? You will tell the police?&#8221; the girl said with her hands still outstretched.</p>
<p>But Claire was backing away into the darkness and when she reached the safety of the passage, she fled.</p>
<p>When she got to her car, Claire tried to put her keys into the ignition, but her hands were shaking so badly she dropped them. She put her hands to her face and took deep breaths.</p>
<p>The young girl lying in the hospital was one of her twelfth grade students, Juliette Beckman. Claire was just one of her teachers. And her parents, Claire thought, of all things, were two of the most respected members of the school board. Her father was a lawyer, her mother a wealthy socialite.</p>
<p>And yet this suspicion of abuse had been present ever since Claire had known Juliette &#8211; which was when? The ninth grade? Did any of her other teachers suspect something? Know something? Claire had tried to bring up the subject discreetly many times, but her question was never answered. She had even phoned the police anonymously with a metaphorical question &#8220;What if?&#8221;</p>
<p>She wanted to know what the consequences would be for Juliette and her family. But the process related to her by the matter-of-fact policewoman seemed cold, hard and if Claire was wrong, far worse than Juliette&#8217;s current situation. She had not known what to do. And now this.</p>
<p>When she got home, Claire found that her boyfriend, Simon had opened a bottle of wine and was making a salad. He took one look at her face as she dropped her keys on the table.</p>
<p>&#8220;Bad day?&#8221; he said and as she just nodded, handed her a glass of the chilled wine. She sipped and noticed that her hand still shook.</p>
<p>&#8220;It&#8217;s one of the girls at school,&#8221; she said, &#8220;I don&#8217;t know what to do.&#8221;</p>
<p>Simon raised an eyebrow, &#8220;That bad?&#8221; he said.</p>
<p>&#8220;She&#8217;s in hospital,&#8221; she said and then found the whole story spilling out of her.</p>
<p>It was like a confession and Simon was a good listener. He just let her talk as they sat at the kitchen table eating steak and salad &#8211; well, he ate, Claire picked out olives and feta cheese and drank her wine.</p>
<p>&#8220;I knew,&#8221; she said, &#8220;as soon as I got to the school that Juliette had problems at home. She was very quiet, had dark circles under her eyes, difficulty sleeping, you know,&#8221; Claire flicked a look up at Simon but he was concentrating on his food. &#8220;I just didn&#8217;t know what to do,&#8221; she said, &#8220;None of the other members of staff seemed concerned so I waited.&#8221;</p>
<p>&#8220;Waited?&#8221; Simon repeated.</p>
<p>&#8220;To see if she would talk to me,&#8221; Claire said. &#8220;And she did mention that her father was aggressive when he was drunk &#8211; flinging an ornament across the room I think it was. But it was said in a kind of joking manner and I wasn&#8217;t sure if she was serious.&#8221;</p>
<p>&#8220;She was joking about her father throwing things at her?&#8221; Simon said. This time he looked at her and frowned.</p>
<p>&#8220;Well,&#8221; Claire shrugged, &#8220;I did ask if there was anywhere else for her to go &#8211; maybe a relation to visit for a time, for a break. She mentioned a granny. But I think the granny has passed away, so now even that door is closed to her.&#8221;</p>
<p>She poured another glass of wine and sat back.</p>
<p>&#8220;Did you ever mention this to the principal or heads of department?&#8221; Simon said.</p>
<p>&#8220;I asked about a hypothetical child,&#8221; Claire said, &#8220;And the answer was basically that anything was better than being taken into care by the state. I decided I would try to follow it up on my own. See if there were any alternatives. I didn&#8217;t know who would believe me &#8211; I just had this instinct, based on what she had said &#8211; and then she refused to go to the police herself.&#8221;</p>
<p>&#8220;Then there&#8217;s nothing else you can do,&#8221; Simon said, gathering up plates and stacking them in the dishwasher.</p>
<p>&#8220;That&#8217;s just it,&#8221; Claire said. &#8220;At the hospital she basically demanded that I do something. She said I must report her parents, but&#8230;&#8221;</p>
<p>&#8220;But what?&#8221; Simon said.</p>
<p>&#8220;The doctor said her injuries were self-inflicted,&#8221; Claire said.</p>
<p>&#8220;Let&#8217;s just wait and see shall we?&#8221; Simon said, &#8220;Don&#8217;t worry. There will probably be a psychological evaluation.</p>
<p>Her dreams were tormented, fragmented. There were shadows and light. Strangely, in the light was fear and in the darkness, safety. She wanted to scream, but her throat closed. She woke and sat up, drenched in sweat. Simon was still sleeping peacefully beside her. She had decided. She would go to the police.</p>
<p>She walked through to the kitchen and switched on the dim counter lights. She put on the kettle. She made a cup of chamomile tea and walked into her study. Parts of it had been taken over by Simon. He always brought files and paperwork home from his office. As a busy attorney he said he was always playing catch up.</p>
<p>She sank into the lemon yellow sofa and was about to pick up a magazine when the end of a word caught her eye &#8211; &#8220;man&#8221;. That was all and yet she felt chilled to the bone. She pulled out the file that had been hidden under a pile of others and saw the name &#8220;Cameron Beckman&#8221; on the front. It was Juliette&#8217;s father and as she gripped the folder she had an unreal sense of disbelief. She had just been talking about Juliette to Simon. Why had he not said anything?</p>
<p>She knew the files were confidential, but she couldn&#8217;t help herself. She had to know what Simon was doing with the information. As she opened the folder, photos slipped out and fell onto the carpet. She picked them up and almost immediately dropped them as if stung. They were pictures of girls &#8211; young girls &#8211; teenagers &#8211; all pretty and all displaying bruises and injuries to the camera.</p>
<p>Claire put her hand to her mouth as she saw black eyes, broken arms, split and swollen lips, cigarette burns and cuts that had been stitched up.</p>
<p>&#8220;What is this?&#8221; she whispered.</p>
<p>She looked at the file that seemed to be a litany of evidence against Cameron Beckman for the abuse of young girls, listing places, dates, times. There were statements that Claire could only partly read as the simple words stung her eyes to tears.</p>
<p>&#8220;No,&#8221; she whispered, &#8220;It can&#8217;t be.&#8221;</p>
<p>Then she had another terrible thought. Juliette had not excluded her mother in her blanket accusation at the hospital. She had said, &#8220;my parents&#8221;.</p>
<p>Frantically Claire scanned the pages for information about Sonja Beckman. She couldn&#8217;t find anything. Then the main light to the study flicked on.</p>
<p>&#8220;What are you doing?&#8221; Simon said. He was standing at the door in his boxer shorts looking coldly angry.</p>
<p>&#8220;Why didn&#8217;t you tell me?&#8221; Claire said. &#8220;I was talking all about her at dinner and you said nothing.&#8221;</p>
<p>&#8220;You know this information is confidential,&#8221; Simon said taking the folder out of her hands, &#8220;You could misconstrue things, overreact&#8230;&#8221;</p>
<p>&#8220;Overreact?&#8221; Claire was furious, &#8220;What do you want? A corpse?&#8221;</p>
<p>&#8220;Claire,&#8221; Simon&#8217;s tone was conciliatory.</p>
<p>&#8220;No!&#8221; she shouted, &#8220;I want you to leave.&#8221; He lifted his hand. &#8220;Just go!&#8221; she said.</p>
<p>She heard him gathering his things and sank her head into her hands.</p>
<p>&#8220;I just don&#8217;t want you leaping to conclusions,&#8221; he said before he left, &#8220;especially after&#8230;&#8221;</p>
<p>&#8220;After what? What happened to me you mean,&#8221; she said, &#8220;You think I&#8217;m crazy? Me? After you&#8217;ve seen these photos!&#8221;</p>
<p>&#8220;Just give yourself time to cool down,&#8221; he said.</p>
<p>Then she heard him letting himself out the front door.</p>
<p>Claire could not go back to sleep. Memories swarmed around her, stinging like hornets. Her mother&#8217;s mental illness. Being taken into foster homes. The violence at home and sometimes at school that had been so sudden and so arbitrary, seared into her mind.</p>
<p>Agitated, she picked up the phone and dialed the hospital.</p>
<p>&#8220;I just wanted to check on a patient,&#8221; she said, &#8220;Juliette Beckman?&#8221;</p>
<p>There was a pause and then a nurse at the other end said, &#8220;Miss Beckman was released into her parents&#8217; care this evening.&#8221;</p>
<p>&#8220;What?&#8221; Claire shouted, &#8220;But I just saw her.&#8221;</p>
<p>&#8220;The doctor decided she could go home,&#8221; the nurse said, &#8220;Are you a family member?&#8221;</p>
<p>&#8220;What about evaluations?&#8221; Claire said.</p>
<p>&#8220;I&#8217;m sorry,&#8221; the nurse said very firmly, &#8220;That information is confidential &#8211; for family members only.&#8221;</p>
<p>Claire hung up the phone in a paralysis of indecision. She was startled when it rang under her hand.</p>
<p>&#8220;Hello,&#8221; she said cautiously.</p>
<p>&#8220;Claire,&#8221; it was unmistakeably Juliette Beckman, &#8220;You have to come. You have to help.&#8221; Then there were some breathy noises and scuffling. Claire heard screams.</p>
<p>&#8220;What is it Juliette?&#8221; she called urgently.</p>
<p>All she could hear were the screams. She threw on a coat, grabbed her bag and keys and ran out of the door. She knew the Beckman&#8217;s address but had never been to their house. She spent wasted anxious minutes hunting for street names and the correct number before she drove into a wide, tree-lined driveway. The nightlights illuminated the street number, but she was surprised to find the security gate standing wide open.</p>
<p>Anxiety spurred her on and she drove &#8211; seemingly forever &#8211; until she got to the entrance of the impressive mansion. She ran to the front door and again was surprised to see it standing open. She darted in calling, &#8220;Juliette! Juliette!&#8221;</p>
<p>Some rooms were half-lit, furniture overturned and more than anything, the silence terrified her. Expecting the worst, she was still unprepared for the sight in the living room. Mrs Beckman lay slumped on the sofa, blood spattering the elegant satin upholstery.</p>
<p>Claire&#8217;s stomach heaved and she fought off dry retching as she ran upstairs.</p>
<p>&#8220;Juliette,&#8221; she called softly, not hoping to find the girl alive. But there she stood, near her four-poster bed that was luxuriously swathed in peach and apricot silks. Her father, Mr Cameron Beckman was sprawled on the dark brown carpeting that showed no sign of the blood that would have come from the glaring wound in his head.</p>
<p>&#8220;Hello Claire,&#8221; Juliette said in a calm, cool voice, &#8220;I&#8217;m so glad you came.&#8221;</p>
<p>&#8220;Juliette,&#8221; Claire said in a voice that didn&#8217;t seem her own, &#8220;What have you done?&#8221;</p>
<p>She looked at the gun in Juliette&#8217;s hand &#8211; a hand that was wearing a beautiful arm-length black evening glove.</p>
<p>&#8220;Take it,&#8221; Juliette said to her, offering the weapon, &#8220;I don&#8217;t know what I might do to myself.&#8221;</p>
<p>Claire took the gun gingerly as though it were a venomous snake. She watched Juliette pull off the black gloves and then everything seemed to spin out of control. There were sirens, Juliette was screaming again and officers poured into the room. They took Claire away and as she turned to look back, she saw a broken, weeping Juliette in the arms of a woman police officer.</p>
<p>&#8220;Wait,&#8221; she said to the police who marched her into a waiting vehicle, &#8220;You don&#8217;t understand.&#8221;</p>
<p>But no one would speak to her. No one would look at her. And even Simon would not take her phone-calls. A court-appointed defense attorney told her that Simon could not help her due to conflicts of interest.</p>
<p>&#8220;But he has the photos &#8211; the file,&#8221; she tried to explain.</p>
<p>&#8220;What photos?&#8221; they said, &#8220;What file?&#8221;</p>
<p style="text-align: center;">*****</p>
<p>A beautiful, slip of a girl in a minuscule coral bikini pirouetted on a beach with white sands, framed by a translucent blue sea. Her handsome male companion was taking photos.</p>
<p>&#8220;Come here gorgeous,&#8221; he said.</p>
<p>Waiters in white linen were bringing tall, icy cocktails.</p>
<p>&#8220;When did you first think of it,&#8221; he said, sipping on a rum and coconut concoction.</p>
<p>&#8220;Oh, that parent&#8217;s evening, do you remember?&#8221; she said, flopping down next to him on her multicolored beach towel. &#8220;I thought, what on earth was a hunk like you doing with an old hag like her.&#8221;</p>
<p>Simon laughed and caressed her thigh, &#8220;That was the ninth grade,&#8221; he said.</p>
<p>&#8220;I know what I want,&#8221; she said, &#8220;And I wanted you.&#8221;</p>
<p>&#8220;Your parent&#8217;s millions don&#8217;t hurt,&#8221; Simon said.</p>
<p>Juliette sighed deeply and stretched languorously.</p>
<p>&#8220;They said I would have to wait for my trust fund till I was twenty one,&#8221; she said, &#8220;Can you believe it? Three whole years! And whenever I wanted something, all they would do is nag, nag, nag. Well, now I do things my way.&#8221;</p>
<p>&#8220;You were lucky I was able to get Claire&#8217;s gun,&#8221; Simon said.</p>
<p>&#8220;And she just took it out of my hand,&#8221; Juliette laughed, &#8220;It was so easy.&#8221;</p>
<p>As the couple&#8217;s caresses became more urgent, the waiters looked the other way. A red sun was setting over paradise.</p>
<p style="text-align: center;">
<p style="text-align: center;">
<p style="text-align: center;">The End</p>
<p style="text-align: center;">
<p style="text-align: center;">
<p style="text-align: center;">&#8220;<em>Trust</em>&#8221; Copyright © 2010 by Ingela Richardson, All Rights Reserved</p>
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		<title>Short Story: The Ripper On the Bowery</title>
		<link>http://www.candlelightstories.com/2010/10/07/short-story-the-ripper-on-the-bowery/</link>
		<comments>http://www.candlelightstories.com/2010/10/07/short-story-the-ripper-on-the-bowery/#comments</comments>
		<pubDate>Fri, 08 Oct 2010 01:02:45 +0000</pubDate>
		<dc:creator>Alessandro Cima</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Short Stories]]></category>
		<category><![CDATA[adult]]></category>
		<category><![CDATA[mature]]></category>
		<category><![CDATA[short story]]></category>

		<guid isPermaLink="false">http://www.candlelightstories.com/2010/10/07/short-story-the-ripper-on-the-bowery/</guid>
		<description><![CDATA[By Steven G. Farrell celtic-badgerontheborder.com An homage to the Bowery Boys movies of the 1930s!  This is a wild, humorous and slightly chilling yarn that takes us through the alleys of New York&#8217;s Bowery as a group of young hooligans known as the Bowery Irish Clowns tries to stop a killer who seems a lot [...]]]></description>
			<content:encoded><![CDATA[<!-- Flash Video Resizer 1.5 : 580pixel --><p><strong>By Steven G. Farrell<br />
</strong><a href="http://www.celtic-badgerontheborder.com/">celtic-badgerontheborder.com</a></p>
<p>An homage to the Bowery Boys movies of the 1930s!  This is a wild, humorous and slightly chilling yarn that takes us through the alleys of New York&#8217;s Bowery as a group of young hooligans known as the Bowery Irish Clowns tries to stop a killer who seems a lot like a certain Jack the Ripper.</p>
<div class="authorinfo">
<p><strong><span style="color: #ff0000;">Adult Reading &#8211; Mature Content</span></strong></p>
</div>
<h2 style="text-align: center;">The Ripper on the Bowery</h2>
<p><a href="http://www.candlelightstories.com/Blog/wp-content/uploads/2010/10/BoweryAlley.jpg"><img class="alignleft size-full wp-image-5468" title="BoweryAlley" src="http://www.candlelightstories.com/Blog/wp-content/uploads/2010/10/BoweryAlley.jpg" alt="" width="250" height="332" /></a>“I got to get on safe ground before the Ripper hits the streets,” Shem fretted out loud as he made a dash for it as soon as the doors of the elevated train opened.</p>
<p>Clarence Darrow Shaw, aka ‘Shem,’ member of the Bowery’s Irish Clown social  club and an infamous loafer of the Lower East Side of Manhattan, disembarked the 3<sup>rd</sup> Avenue Elevated Train at Canal Street.  He had spent another fruitless day seeking an executive position on Wall Street; now it was time to get back to his real occupation: goofing off with the other Bowery’s Irish Clowns.  The job-hunting façade was just a scam to keep his old man at bay in the Shaw family’s tenement apartment.  He would do anything to keep his parents from yelling at him. It usually worked.  After coughing-up the fare to and from the city Shem had just enough of the money he had bummed off his Ma for a coffee and piece of pie at “Hughie’s Bohemian Café,” the official hang-out for Bugs and the other Clowns.  Hughie Kressin the ancient Yiddish-spewing innkeeper of the Bohemian Café, was an easy touch in spite of all of his ranting at the Irish corner boys who cluttered his place. Shem knew he wouldn’t feel secure until he was with the gang.  The Ripper wouldn’t dare step into the holy grounds of the café.  Hughie was particular about the quality of the people who stepped into his establishment.</p>
<p>“Gee, Bugs will understand why I can’t get my career off of the ground,” Shem said out loud as he descended the stairways of the station.  His moronically bug-eyed looks and mumblings always drew stares. He just knew his folks would start harping on him about going back to his old gig at the Fulton Fish Market. “They’re both nothing but Irish harpies.”</p>
<p>Shem drew a bead on Hughie’s just down the block but his vision was blocked when his Dodgers baseball cap fell over his eyes upon his collision with Squirt Sheridan, the tough newsboy who worked the corner and who was a sworn enemy of the Bowery Irish Clowns. Squirt was known for carrying a switchblade knife.</p>
<p><span id="more-5462"></span></p>
<p>“Watch it, punk,” growled Clancy. “I hope the Ripper cuts your throat before Christmas unless I slice it before Thanksgiving.”</p>
<p>“Excuse me for breathing, young fellow,” shot back Shem.  “Never mind Christmas; let me live past Halloween.”</p>
<p>“Get a job, wastrel!”</p>
<p>“Lay a finger on me and I’ll tell the chief,” retorted Shem, adding, “knife fighter.”</p>
<p>Squirt knew he could have mopped up the sidewalk with Shem or any of the other losers in the gang but he didn’t fancy tangling with Bugs McMaster who was still accounted as one of the best East Side sluggers since the days of Monk Eastman, Razor Reilly and Eat Em Up McManus.  Shem Shaw the best insurance policy in the entire rapidly decaying neighborhood.  Sheridan thought to himself that soon the Bowery would have nobody left in it but winos, bums and the Irish Clowns.</p>
<p>Shem scurried past Kennedy the beat cop.</p>
<p>“Are you still running with the Tinkers from the County Kerry?” hooted the flat foot.</p>
<p>“Oh, go back to the Ninth Precinct,” shot back Shem.</p>
<p>Standing just outside of Hughie’s Bohemian Café was Sarah Shaw, a second cousin of Shem and a third rate hooker on the Bowery.  She had once been a very charming and pretty slip of a lass but now she was beginning to look a bit shopworn.  Most of the family as well as the old families on the Bowery were ashamed of Sarah’s carrying on.  Shem remembered better times and felt pity for a good girl who had gone to the bad.  It wasn’t like she was getting rich at it or enjoyed the life.</p>
<p>“Sarah, you better move on before Hughie blows his top or Bugs comes along,” said Shem, peering into the diner to see who was around.  Hughie was making a banana spilt for two fat dames while Bennie, Gyp, Murphy, Jordan were taking up valuable space at a table in the far back of the shop in between the rarely used jukebox and the too often used restroom.  Whitey was probably just closing up the holster shop he operated along with his tough old gaffer Creepy Kelly.  The Ferro brothers were still down at their office at the newspaper where they were making a name for themselves as a reporter and photographer with the inside scoop and glossy and gross photographs on the two serial killings that had taken  place in the old burg.  And the chief, Bugs, was probably finishing up his supper at home where his Ma always put on a good feed since she inherited loot from her bachelor brothers who were all   firemen, police detectives and undertakers before they kicked their buckets.  Shem was wondering why the Ripper had cut the throat of two lowly  street walkers in the Bowery instead of hunting  up in the Bronx or down in Brooklyn.  One would think the Ripper would find fresher and prettier girls somewhere on Coney Island.  Shem could almost imagine the smell of the popcorn, the taste of a hot dog, and the sounds of people screaming on the Ferris Wheel. Too bad it was October and the fair days were over.</p>
<p>“If you let me hold your spare change, Cousin Clarence, I could go home for the night and I would escape Bugs’ wrath for another night.  You’re still wrestling mackerel at the Fulton Street Fish Market, aren’t you?’</p>
<p>“Everybody by the name of Shaw has the Fulton Street Fish Market on the brain.  Besides, I’m flat broke and have been out of work since I lit-up my box of firecrackers beneath Mr. Silverstein’s chair during his afternoon nap.”</p>
<p>“That wasn’t smart thing to do to your boss, Clarence.”</p>
<p>“It was the fourth of July, Cathy,” snapped Shem.  “Where’s your sense of patriotism, lady?”</p>
<p>Sarah suddenly froze in position.  Her ears perked up as she tried to hear something over the noises of night time New York City.  She peered long and carefully across the street.  She studied the spaces in between the pawnshop, the Chinese restaurant and Battleship Marge’s Boardinghouse.  Her gaze stayed the longest on the alleyway further down the street and away from the elevated station. Her silence and stiffness scared Shem who was easily frightened.</p>
<p>“Somebody is watching us right now.”</p>
<p>“Stop it right now, Cathy!”</p>
<p>“Do you suppose it’s him?”</p>
<p>“I hope you don’t mean who I think you mean,” responded Shem, biting on his fingernails.</p>
<p>“I bet it’s the Ripper, Shem, out to get us both.” “We going to be number three and four.”</p>
<p>“I wish the chief was here,” whined Shem, starting to cry like a half-wit.</p>
<p>“Boo!’ shouted Cathy, grabbing him by the neck.</p>
<p>Shem’s terrified scream brought Kennedy huffing and puffing down the street and Hughie bolting towards the front door of his dive.  By the time the two adults could rescue the boy Sarah was laughing and skipping across the street. Soon she ducked out of sight into the alley that had once held so much fear for her.  The copper socked Shem on the arm for issuing a false alarm and Hughie was going to bar him from the Bohemian Café for the night until Shem pulled out a handful of loose coins to prove he was a paying customer for a change. Momma Mary, Hughie’s hefty spouse, glared on at the moocher.</p>
<p>“Hughie, go prepare me a nice bowl of chicken soup and a cup of hot tea while I wait out here for Bugs to show.”</p>
<p>“I’ll chicken soup you,” snorted Hughie, cracking Shem with his cleaning towel. “Millions of Jews sipping chicken soup in this city and I get the Irish kid who likes mine.”</p>
<p>“You mean he likes my chicken soup, Poppa,” countered Momma.</p>
<p>“Bless your heart, Momma Mary.”</p>
<p>Shem Shaw was alone for only a few minutes when he heard a blood curdling scream issue from the alley across the street.  He immediately recognized Cathy’s voice.  He raced across the street to the entrance but he didn’t venture any further because he assumed that this was probably more of his cousin’s larks.  He was peering into the gloom of the dusk when Bugs came up to him and cracked him on the top of the head with his battered hat that was yet another inheritance from a deceased uncle.</p>
<p>“Shem, are you watching Alice’s rabbit disappear down the magic hole again?”</p>
<p>“I heard Sarah screaming down there.”</p>
<p>Bugs frowned at the mentioning of the name of an old flame of his.</p>
<p>“The only screaming that one does is when she’s on her back and earning pennies off of the waterfront riff raff who patronize her.”</p>
<p>“Chief, that isn’t nice to say about a girl down on her luck.”</p>
<p>“She’s down on something,” said the chief, shaking his head sadly as he tugged Shem over to the café.  It was time to check-up on the troops.  The two had just made their way back to the table that now served as their clubhouse since their numbers had decreased over the years and the younger Mets had chased them away from the old underground clubhouse.  The greetings and insults were still in progress when Whitey Kelly strolled in looking pensive as ever. He was forever whipping his hands because he felt he could never get them clean after working in his old man’s all day. The clowns started in on the newcomer when their taunts refocused upon the Ferro brothers, Mario and Bosco, who rushed in from the street.  Mario, the reporter, flapped his notebook in the boys faces while Bosco, the photographer, called out for a pose.</p>
<p>‘If it isn’t our very own print boys and the Bowery’s number one newshound and his brother the snapper,” shouted Bugs, making no sense to anybody but himself.  Mario ignored the uproar as he ordered a cherry cola from a Hughie who was wondering if the soda was to be paid for in currency or placed on the boys’ ever expanding tab.</p>
<p>In between gulps Marion clued the others in on the latest scoop about the Ripper.</p>
<p>“The coppers are anticipating two attacks tonight.”</p>
<p>“As if one wasn’t enough,” put in Shem.  “And now I’m worried about Sarah.”</p>
<p>“Go on, Mario, you interest me for a change of climate.</p>
<p>“It seems that Scotland Yard of London contacted the Bowery’s very own Chief Inspector Rat Rice when they got wind of two Ripper murders here on the Lower East Side of New York City.”</p>
<p>“Why would the Scottish in anyone’s yard be interested in the Bowery?” asked Shem</p>
<p>“Shem, you’re an idiot,” snapped Bugs, smacking Shem with his hat again before turning his attention back to Ferro. “Mario, what’s ole Rice doing about all of these Rippers murders?”</p>
<p>“Scotland Yard, the London police, sent over here to our fair city one Inspector Tommy Farrow to assist Rice and the lads at the Ninth with the Ripper spree because they think our Bowery madman is copying their man in every detail.</p>
<p>“What, the Scottish have their own Ripper?”</p>
<p>“For once Shem has asked an intelligent question,” said Jordan.</p>
<p>Hughie set a fresh cherry coke down in front of Mario as he proceeded to blow his stack. “Haven’t you hooligans ever heard of Jack the Ripper?  He was the original Ripper.  The neighborhood’s nut case in this neighborhood is a copycat. Jack the Ripper was in all of the newspaper back when I was a fresh off of the boat from Prague in 1908 or so.”</p>
<p>“Try 1888 on for size,” corrected Mario as Hughie fumed.</p>
<p>“Is this Prague in the Queens?” asked Shem.</p>
<p>“Did this Jack the Ripper lurk in the immense London fog and kill girls with a knife?” asked Bugs.</p>
<p>Light bulbs went on all over the café as everybody began to put two and two together.</p>
<p>“My old man told me all about Jack the Ripper,” rumbled Whitey.  “You know the old guy lived in White Chapel, London around that time.”</p>
<p>“I thought you were Irish?” asked Hughie.  “You’re all Irish or Italian and not a good Jew among you.”</p>
<p>“Hush, Poppa, scolded as she brewed more coffee.</p>
<p>“A lot of Irish lived in London back in those days,” grouched back Whitey, “so what about it?”</p>
<p>“Surely, Mario, Rat Rice doesn’t think it’s the same Ripper after all of these years.”</p>
<p>“The heel isn’t saying, but I’m saying so in my next article entitled The Ripper on the Bowery.  Sounds catchy, doesn’t it.”</p>
<p>“You could say it’s ripping.”</p>
<p>“Anyways,” continued Mario.  “”I was at headquarters today when the Chief Inspector introduced the limey bobby from England and the first thing the foreigner said was that in 1888  on September 30<sup>th</sup> the Ripper struck twice, in two different spots, and put the end to two girls.”</p>
<p>“You don’t say,” said Bugs, rubbing his jaw.  “The first attack was in late August and the second one was in early September so I guess the Ripper would be ready to strike again.”</p>
<p>Mario consulted his notebook and confirmed Bugs observation. “August 31<sup>st</sup> and September 8<sup>th</sup> which were the exact dates that Jack the Ripper done his dirty deeds in London.  If he goes ahead according to schedule September 30<sup>th</sup> is circled on the calendar.”</p>
<p>“This way it doesn’t require any guesswork on the part of chief Inspector Rice.”</p>
<p>“Chief, Squirt Sheridan is pretty handy when it comes to sticking people with a knife,” blurted out Shem.</p>
<p>“Shem has a point there, Bugs,” said Jordan as some the other nodded their heads.</p>
<p>Bugs took a long pause before he finally responded by saying, “Squirt Sheridan has earned himself some serious consideration as a suspect but he’s more of a galoot than a night stalker.”</p>
<p>“And here’s the kickers, boys,” announced Mario, waving everybody closer in for a whisper of a cover-up as he drew the attention back to himself.  “The two girls our Ripper killed were named Mary Ann and Annie just like….’</p>
<p>“Jack the Ripper!” the gang sang in harmony.</p>
<p>“So it stands to rationalization that the police know the name of his two promising victims tonight,” said Bugs.</p>
<p>“Smart boy,” said Hughie, clapping Bugs on the shoulder.</p>
<p>“And if the police know that all they have to do is put guards on all of the girls in the Bowery by those names.”</p>
<p>“Elizabeth and Catherine,” said Mario, answering Bugs’ unspoken question.</p>
<p>“The Bowery must have dozens and dozens of girls with the first names of Catherine and Elizabeth,” said Hughie.  “Where do the police even start?”</p>
<p>“Cathy’s real name is Catherine,” Shem said to Hughie.</p>
<p>“Don’t bother your Poppa Hughie right now, Shem.”</p>
<p>“Cathy!” roared Bugs, leaping to his feet and racing to the door. “Cathy was in the alley.”</p>
<p>Unfortunately, Bugs was too slow on the draw and Cathy’s bloody remains had already been found  by Kennedy.  By the time the Irish Clowns reached the far end of the alley a crowd had gathered. Shem, against his will, was pulled forward to identify the body of his deceased cousin.  The crowd was</p>
<p>angry and they began  demanding that Kennedy take action immediately.  The man in blue immediately blew his whistle for more assistance.</p>
<p>Bugs, Shem and the Clowns were all shaking their heads with disbelief as Kennedy began to force the rest of the onlookers to clear the way for re-enforcement.  Nobody seemed to pay much attention when Bosco began to snap a picture.  The exploding light bulb made everybody jump back.</p>
<p>“Say, what’s the idea?” asked Kennedy, pushing his hat backwards on his head.</p>
<p>“Let’s show more respect for my cousin, young fellow.”</p>
<p>“Evidence,” answered Bosco, popping in another bulb into his camera.</p>
<p>“A scoop, you mean,” said Bugs.</p>
<p>“We need to burn some images to warn the public that a madman is at large,” Mario said in a rhetorical manner.</p>
<p>Bugs would have had more cross words for the newspaper brothers but the alley was soon full of all sorts of city employees.  Sirens filled the autumn night air as uniforms crowded into the dark alleyway. Kennedy elbowed a few of the boys aside to usher in Chief Inspector Rat Rice.  A roly poly fellow with a Charlie Chaplin mustache followed close behind him.  The two bent over the dead girl’s body and examined the mess that had once been her throat and stomach.</p>
<p>“The bloke’s gone and made a mess,” said the chubby man in a thick Cockney accent as he pointed out the gore splattered all over the brick sides of building and all around the alley.  “We’re all standing in the blood and guts of this poor and unfortunate soul.”</p>
<p>The foreigner’s last sentence did the job of clearing out the alley that Kennedy hadn’t been able to accomplish.   The last thing Bugs and the Bowery Irish Clowns heard was Rice shouting out orders in his   that bossy tone of voice of his. Nobody was in a mood for a banana spilt when the gangs retook their</p>
<p>well-worn chairs inside of the Bohemian Café. Bugs looked around to see that several of the key members of his crew were missing in action.</p>
<p>“Hughie, you can fade as I take a head count,” said Bugs.  “Go listen to the radio and have Momma Mary rustle up some grub.”</p>
<p>“On your tab I suppose.”</p>
<p>“Yellow bellies,” laughed Jordan. “They took off running at the site of blood.</p>
<p>“Not everybody gets a thrill by the sight of the ketchup like you, Jordan,” snorted Bugs.</p>
<p>“Shem had to rush home to tell his family about….you know,” said Gyp.</p>
<p>“Whitey said he had to check on his old man, Creepy Kelly,” said Bennie.  “You know that Creepy can get up to no good if somebody doesn’t keep a close eye on him.”</p>
<p>Bugs rested his chin on his fists and began to ponder the situation.  The Ripper was intruding on his territory even if his turf was confined to a few grubby blocks in the lowly Bowery.  What’s more the Ripper was now attacking people who the Irish Clowns knew.</p>
<p>“Say, fellows, didn’t Mario say the Ripper was suppose to attack two girls tonight?’</p>
<p>“What about it?” asked Bennie.</p>
<p>“He was suppose to kill a Catherine….and he did; now he’s suppose to kill an Elizabeth.”</p>
<p>“More police have arrived,” noted Jordan.  “Rice has called in the reserves.”</p>
<p>The boys paused as more sirens could be heard in the distance. The tiny diner seemed to be engulfed in the loud screams of squad cars and fire trucks.  The noise was deafening.  Bugs started to holler above the racket.  “It is up to us to start patrolling the Bowery to see if we can catch the Ripper.  We won’t have any females left if we leave it in the hands of Inspector Rice, Kennedy and the mustache from Scotland Yard.”</p>
<p>“Bugs!” shouted Hughie, bursting out of the back room and racing over to grab Bugs by the arm.  “The Ripper has struck again! I just heard a news flash over the radio!  The Ripper struck again!”</p>
<p>Benny and Jordan caught a hold of Hughie and forced him to take a seat.  Gyp tossed a glass of lukewarm water into the little man’s face in order to settle him down and to get some sense out of him.</p>
<p>“Hughie, if you decompose yourself long enough to speak plain English to us we’re all ears.”</p>
<p>“The Ripper struck again just down Canal Street here only a minute away.  It occurred near the East River.”</p>
<p>Hughie’s words rang true as the Bowery was alive with excitement, panic and rage that night.  The police and civilians alike padded their way from one site to the other.  The Irish Clowns had just arrived at the second murder site when Inspector Rice looked at them and said, “Just the boys we wanted to see.”</p>
<p>“Why us?” asked Jordan.</p>
<p>Kennedy pointed to a chalked graffiti that stood out against the backdrop of blood dripping off of the back of a tattoo parlor.</p>
<p>“The Clowns are the men that will not be blamed for nothing,” Bugs read out loud.</p>
<p>“Shakespeare it’s not,” cracked Jordan.  Nobody laughed at his remark.</p>
<p>“But the message is a positive identification,” Rice announced grandly.  “Boys you’re all under arrest.”</p>
<p>The arrest of the Bowery’s Irish Clown must have been some sort of ruse by Inspector Rat Rice in order to prove that he and his department were on top of the Ripper Case; for they were almost immediately released. A telephone call to Hughie at the Bohemian Cafe provided them with an airtight alibi.  Bugs wondered if Rat had them arrested merely as some sort of twisted joke. Whatever Rat Rice’s motivations Bugs was worried that a lynch mob would be awaiting their return back to their headquarters at Third and Canal.  However, their long-time mascot Hughie must have quelled the mob, because all was quiet when the boys marched in to reclaim their table at the back.</p>
<p>“Inspector Rice was just grandstanding for the reporters,” exclaimed Hughie, dishing up free ice cream to smooth over any hard feelings the gang might have for the Inspector.  He had done it more than once or twice over the years.</p>
<p>“And for that we’re going to show up Rat Rice by putting our mitts on this so-called Ripper of the Bowery and pulling down his ironed trousers in full view of the radio and newspaper public,” said Bugs.</p>
<p>“The Irish Clowns to the rescue!” said Jordan, rallying the others to the cause.</p>
<p>“The Irish Clowns should get paying jobs instead of butting their noses into police business. If the Ripper doesn’t cut them off, Rat Rice will break them off,” fretted Hughie.</p>
<p>However, once Bugs McMaster had made-up his mind nothing in Heaven or on Earth could dissuade him from the task at hand.  The whole affair was had turned personal.  Besides, the malt shop kingpin reckoned that he and his crew knew the nooks and crannies better than all of the cops in Manhattan put together.  It stood to reason that as neighborhood loafers that they could sneak into every shadow of the Bowery.  Bugs came up with the division of labor, sending Jordan and Bennie northwards towards to the outer edges of the Bowery at Fourteenth Street while Gyp, Murphy and Whitey covered the waterfront along the East River.  Mario and Bosco were the most useful at their place of employment where they could get tabs on Chief Inspector Rice and Inspector Farrow as well as filter to the gang about any new bulletins about the Ripper.  Bugs and Shem would handle the business district beneath the elevated tracks, going from shop to shop to ask question. Bugs decided it as was only a mere formality to stop at the Kelly’s Upholstery Shop to question Creepy Kelly, Whitey’s forever cranky and threatening father.</p>
<p>“I don’t want White Chapel’s hooligan mates under me roof!” shouted Creepy, waving some sort of  sharp work instrument beneath Bugs’ nose.  The old gaffer’s accent was hard to place; for it was not an Irish brogue or a Cockney dialect but rather a broth of two stirred together.</p>
<p>“Who’s this White Chapel when he’s at home?” asked Shem, ditching behind Bugs’ back.</p>
<p>“I think the old gent is referring to our mutual pal Whitey,” explained Bugs.</p>
<p>“It’s a good a name as any other and sure wasn’t the lad born over in White Chapel where I had me shop back in London?’ challenged Creepy.  He suddenly shrunk away from the boys as though he had let the cat out of the bag.</p>
<p>“So Whitey is English and not Bowery Irish?” asked Bugs.</p>
<p>“That’s none of your business, you corner boy, you.”</p>
<p>Bugs didn’t reveal his hand to the other boys when they regrouped at Hughie’s Bohemian Café just before dusk.  He spent much of the time studying Whitey’s face and body language as the others recounted their long day of detective work.  Bugs had long since realized that the old Jack the Ripper murders had occurred in the crumbling White Chapel section of London’s East End before they had suddenly rematerialized in the crumbling Bowery section of New York’s East Side. The boss of the Irish Clowns knew he didn’t need to be any Sherlock Holmes to deduce that Jack the Ripper was Creepy Kelly, Whitey’s father.  Bugs McMaster was nothing if he wasn’t loyal to his fellow gang members and he wasn’t about to help Inspector Rat Rice and Precinct 9 to do their job in locating the murderer.  Stopping the Ripper from striking again on the Bowery was altogether a different ball game. Some of the fellows had spied upon Squirt Sheridan at his corner newsstand but it had just been racing forms and girlie magazines all day long.</p>
<p>“Fellows, the best thing we can do is just sit tight until the November Third when this Ripper character is poised to strike again,” announced Bugs, finalizing his decision.</p>
<p>“Shouldn’t we warn the neighborhood that the Ripper could strike again on the Third of next month?’ asked Jordan.</p>
<p>The public telephone began to ring and it refused to stop until Hughie picked it up.</p>
<p>“Can we trust the Ripper to keep to the old schedule?”  Gyp asked sensibly.</p>
<p>Hughie shouted over the boys: “Bugs, it’s Mario, and it said the last victim of Jack the Ripper was a dame by the name of Mary Kelly.”</p>
<p>“Whitey, isn’t Kelly your last name?” Shem asked innocently.</p>
<p>“So what about it, mug,” growled Whitey, clenching his fists.  “There are plenty of people with the last name of Kelly in the Bowery.  Besides, we don’t own a Mary.”</p>
<p>Shem turned away from the wrath of Whitey to address: “And Hugo, Momma’s first name is Mary.”</p>
<p>Hughie rubbed his chin in reflection.</p>
<p>“You’re forgetting that Momma Mary isn’t a night walker…if you catch my drift.”</p>
<p>“More like a nightmare,” Hughie mumbled under his breath but still thankful that his wife was in the kitchen flipping hamburgers for the boys.  She had always been known for her fiery temper back in the old country. She was also one jealous old nag.  Maybe Momma was Jill the Ripper.  Nah, she couldn’t be. Well, one could never tell.</p>
<p>The Bowery’s Irish Clowns spent the entire month of October going from door to door to warn people about the upcoming event of the Ripper’s November appearance.   Anybody named Mary was strongly cautioned to stay behind locked doors on in during the opening days of the eleventh month.  Catching wind of the Irish Clowns civic deeds, Rat Rice decided to get into the act by hammering up flyers all over the joint re-stating the same advice.  The Chief Inspector promised the public that he would beef-up the number of beat cops in the area and went on to promise that on the 3<sup>rd</sup> he would be pounding the pavement along with Inspector Tommy Farrow, the Jack the Ripper expert sent over by Scotland Yard.  The implication was that Farrow had something up his sleeve. The Mayor of New York City had even posted a $10,000 reward for the ripper.  As the neighborhood proceeded to set up its defenses, Bugs McMaster was doing some snooping around on his own.  He thought it was best to keep his own counsel about his discoveries. The only one he felt comfortable in confiding with was Mario Ferro, who had access to the real inside dope from all sorts of sources.</p>
<p>On November 2<sup>nd</sup> Bugs McMasters was seated inside of Hughie’s Bohemian Café waiting for his tribe to gather for their war paint and instructions when Hughie ushered him over to the public telephone where Mario was waiting at the other end of the line.</p>
<p>“Any information about Creepy Kelly?” asked Bugs.</p>
<p>“I hope you’re all ears, Bugs; for there was a Jack the Ripper suspect by name of James Kelly, a convicted maniac.</p>
<p>“You don’t say?  Creepy could be James.”</p>
<p>“One James Kelly was sentenced to a life in a lunatic house by the name of Broadmoor for the murder of his wife shortly before the Ripper’s murdering spree.  He escaped by using some tricks that would have made John Dillinger proud of him. He also went underground for years until he showed up one day at the main gate of Broadmoor requesting readmission.  The British fuzz began a search for him back in 1888 but they wrote him off when they figured out he had fled to the United States; and by 1923, the year he resurfaced, they no longer considered him a prime suspect.”</p>
<p>“It adds up.”</p>
<p>“There’s even more, Bugs,” interrupted Mario, adding, “according to inspector Farrow of Scotland Yard  there was always a long standing theory among British crime experts that Jack Ripper had brought his hobby over here.  A few prostitutes were found sliced and diced here on the Bowery years before we born. He was never captured and it was believed by the authorities that he took off when the police began to close in on him.”</p>
<p>“It must have been before Inspector Rat Rice’s time.”</p>
<p>“Scotland Yard and the London Metropolitan Police have long theorized that the Ripper then continued his murdering all over the country; these attacks being spread-out over many decades.”</p>
<p>“Isn’t Creepy Kelly a bit past all of that now?” asked Bugs, thinking of Whitey.</p>
<p>“Maybe he has an able-bodied assistant,” whispered Mario, thinking of Whitey.</p>
<p>“What else is on your mind, Mario?”</p>
<p>“According to the files James Kelly died in 1927.”</p>
<p>“If Creepy Kelly is indeed James Kelly maybe he pulled a second Harry Houdini escape act.”</p>
<p>By the time Bugs got off the party line the gang was starting to gather.  Hughie and Momma were in the kitchen getting hot coffee, soup and sandwiches ready for the boys.  Hughie had promised to keep the Bohemian Café open all night long so the boys would have a headquarters and a place to warm-up. The Irish Clowns planning session pulled to a grinding halt when Squirt Sheridan strutted in and put in an order for hot pastrami on rye and coffee to go.</p>
<p>“Put it on my bill, Momma Mary,” grunted Sheridan, seeming the worst for drink.</p>
<p>“I will but this is the last time.  You’re up to seventeen dollars and twelve cents and that’s getting too high up there for Poppa and me,” she said.  She didn’t want to quarrel with a mean drunk.</p>
<p>Squirt Sheridan glared at the gang but held his tongue as he disappeared into the gathering mist of the late autumn night.  He left behind the fumes of cheap whiskey.</p>
<p>“Squirt Sheridan has become a rummy,” proclaimed Jordan, waving away the sour air.</p>
<p>“He must be burning the candle at both ends,” noted Shem.</p>
<p>“Let’s keep an eye on the flames of those candles,” said Bugs.</p>
<p>The Irish foggy dew had thickened into an old-fashion London pea soup fog as the midnight hour approached and past.  Shem was happy to be close to Bugs but he would have been happier to be closer to his bed at home.  The weatherman on the radio had forecast that the drizzle would intensify in the wee hours of the morning and that that the rain would eventually turn to sleet before it became solid snow.  The sidewalks of the Bowery appeared to be uncommonly cluttered with all sorts of people considering the Ripper was about to strike again.  Shem wondered how many of them were police officer and how many were onlookers hoping for a bloody show.  Then, again, any person passing by could be Jack the Ripper on the prowl.  He thought of his dead cousin and hoped that he and Bugs would save the day.  He dearly would love to get in a clout or two for Cathy’s sake.</p>
<p>“Do my eyes deceive me?’ asked Bugs, pointing at a figure that loomed a few blocks ahead of them.</p>
<p>The two young men picked up their paces to close the gap between them and the hunched over figure that loomed in front of them.  It appeared to be an elderly man.  It was also quite obvious he was wearing some sort of top hat that had been out of fashion since the “Gay Nineties”.  In his right had the man held a walking stick that he nervously clicked on the cement sidewalk as if he were propelling himself forward; in his left he was carrying a black leather bag.</p>
<p>“Is he going to the opera?” asked Shem.</p>
<p>“He looks like a doctor making a house call back in the olden days.”</p>
<p>The words were no sooner out of the chief’s mouth when the man suddenly whirled around his tracked, lifted up his cane, and charged the two boys at full speed.  Creepy Kelly was only inches away from crashing in some skulls when suddenly men leapt out of the shadows and wrestled the man down to the ground.  It was Rice, Farrow and a squadron of plains clothes officers.</p>
<p>“Chief Inspector Rice!”</p>
<p>“So you’re still meddling in police business, McMasters,” said Rice, turning away to instruct his men to cuff the struggling menace to society. “We’ve been tailing you all night and we knew you would serve as useful bait to lure Jack the Ripper out into the streets.  After all, isn’t your name Marion?”</p>
<p>“Marion!” hooted Shem.</p>
<p>“It’s my maiden name,” said Bugs, stumbling over his words.</p>
<p>“We were hoping Marion was close enough to the name of Mary.”</p>
<p>“My premise was correct,” Inspector Farrow crowed like a rooster.</p>
<p>The chief was in no mood to thank the police for rescuing them.  Instead, he was interested in the black bag that had fallen to the ground during the shuffle.  All eyes were turned on Bugs as he snapped open the latch and turned the bag upside down. A sandwich and a thermostat of coffee tumbled to the ground.</p>
<p>“Smells like pastrami,” noted Shem.</p>
<p>“It’s me late night snack, you Yankee ruffians,” shouted Creepy.  “And why am I in cuffs when I was defending myself against these footpads who intended to rob me of my meal?”</p>
<p>Rat Rice didn’t have the time to sort out the mess because Gyp came running down the street and roaring his head off that somebody had snuck up behind him and pulled his cap over his eyes and had slammed him up against a wall.  In between gulps, Gyp explained that by the time he was able to see again, Whitey and the attacker had vanished into the night. He speculated that Whitey was giving chase to the Ripper at that very moment.  Gyp was barely finished with his narrative when Murphy tore around the corner shouting bloody murder.</p>
<p>“Bugs, somebody stuffed a trash can over my head and by the time I had gotten the tin off of my noggin the attacker was gone and Jordan had disappeared into thin air.”</p>
<p>Events were tumbling in from all points and things were going to get even more obtuse.</p>
<p>“Bugs!”</p>
<p>“It sounds like Hughie.”</p>
<p>Soon the chubby little café owner had discovered the small gathering.</p>
<p>“Jordan is hurt and I just saw Whitey racing towards the East River.  The Ripper attacked Jordan and he’s dying on the footsteps of my café and Whitey is in hot pursuit of the Ripper.  Come away quickly!”</p>
<p>In front of Hughie’s Bohemian Café the boys found Jordan who was up on his feet and holding a hanky to a bloody cheek.  However, he was far from death’s doorsteps. Nobody bothered to take a close look at his wound.   Meanwhile the police followed Whitey’s footsteps in the thin covering of the fresh snow.</p>
<p>“Get Jordan inside and out of the cold!” ordered Bugs.</p>
<p>Hughie and the gang were greeted with the sight of blood and gore splattered all over the shop.  In spite of all of the slashes across the face and the derange destruction of the body, it was still possible to identify the still warm remains of Momma Kressin.</p>
<p>“I was only gone for a few minutes,” said Hughie before he fainted into Murphy’s arms.</p>
<p>“I didn’t hear a thing,” announced Jordan.</p>
<p>“I think Whitey Kelly is the Ripper on the Bowery and not Creepy Kelly,” decreed Bugs.</p>
<p>The police did follow the footprints up to the very edge of the docks where they abruptly stopped.  Rice and Farrow surmised that whoever had made the run had concluded by leaping into the East River. The two men were rapidly coming to the decision that it was a fake suicide.  The word ‘fake’ was dropped from the official report a few days later when some rough and tough dock worked pulled a body out of the drink with their hooks and it was immediately identified as being the bloated remains of White Chapel “Whitey” Kelly.  It would be ruled that the boy was pushed into the river from behind.  Oddly enough, it was never recorded if there was another step of prints.  The murder was attributed to Jack the Ripper.  The Inspector was still supervising the investigation of the mysterious foot prints when he was hailed by Murphy and informed of the slaughter of Momma Kressin inside of the Bohemian Café.</p>
<p>By the time Rice and Farrow arrived to the latest crime scene the Ferro brothers were already there snapping pictures and conducting interviews.  The police wanted confessions, not interviews. The next few hours were filled with shouting, crying and accusations. It wasn’t until a snowy dawn was breaking out from over the Atlantic seaboard that Shem asked the least dumb of all of his questions.</p>
<p>“Where’s Creepy Kelly?”</p>
<p>In all of the excitement that old man had managed to drift away into the swirling snow without notice.</p>
<p>“He won’t get far with the bracelets on his wrists,” said Rice, hoping for the best.</p>
<p>“Creepy Kelly must have killed his own son in the shuffle at the waterfront,” declared Farrow, seeking approval.</p>
<p>“I think you have it all wrong there, Sherlock,” butted in Bugs, a smug grin smeared across his pug-nosed face.  “It’s true that Creepy Kelly was the original Jack the Ripper but it’s also true that Whitey was his apprentice and he was Ripper on the Bowery.”</p>
<p>“So it’s true what they always say: father like son,” wisecracked Jordan.</p>
<p>“So where’s Creepy?’</p>
<p>“Maybe he jumped into the river with his son,” suggested Bugs.</p>
<p>However, the body of Creepy Kelly was never recovered from the icy river.  Years later, a rumor was whispered along the streets of the Bowery that Farrow had wired Rice that James Kelly had reappeared at the gates of Broodmoor Lunatic Prison for a second time.  There was also tattle that the old documents were never replaced by new ones. James Kelly had officially returned to the institution in 1923 and that he had been buried on the prison’s grounds in 1927.  The English, per usual, were trying to save rather than solve the mystery.  It was believed by most that all of this gossip had been spread by the Ferro brothers who had gotten the tip-off from various reliable sources.</p>
<p>Chief Inspector Rice never pointed any fingers at Creepy or Whitey and their reputations were untarnished in the newspapers. The police had found the perfect fall guy the next day when Officer Kennedy discovered a drunk and groggy Squirt Sheridan slumped inside of his battered wooden newsstand; his clothes being smeared all over with fresh blood stains.  The thick-headed Mick became the hero of the day when he searched the hood’s pockets and discovered a recently used switchblade.</p>
<p>“I’ve been framed!” screamed Sheridan as Kennedy booted him into an awaiting paddy wagon.</p>
<p>“Tell it to the judge, Jack the Ripper.”</p>
<p>Bugs McMaster for once was heard coming to the defense of his old arch-enemy: “for once in his life the Squirt is telling the truth.”</p>
<p>“Come again, chief,” requested Shem.</p>
<p>“Last night we heard with our own ears squirt ordering a pastrami sandwich and coffee to go and we also found the same such items inside of Creep’s black back.  It’s a bit fishy to me.”</p>
<p>“You mean Creepy stole squirt’s stuff and framed him.”</p>
<p>“Somebody by the name of Kelly set-up Squirt for a fall.”</p>
<p>“Aren’t you going to tell the police, chief?’</p>
<p>“I will if I have to in order to save his neck from the noose.”</p>
<p>Bugs Moran never had the opportunity to present his testimony the police and Squirt Sheridan never had a chance to sing like a canary on the witness stand. He was found a few days later swinging from the rafters of his cell. It probably saved him a trip to the hangman’s gallows at Sing-Sing as Bugs McMaster’s pastrami sandwich theory probably would have been ripped to shreds by the district attorney.  Bugs didn’t lose any sleep over the suicide ruling that was allowed to stand. Many residents of the Bowery thought it was good riddance to an evil man and it saved the taxpayers money on a trial and an execution.</p>
<p>“It was a bloody good yarn while it lasted,” Jordan was always fond of saying after the Bowery returned back to its grimy and gritty ways.  “Somebody should take it to Hollywood and make a movie out of it.”</p>
<p>“You must be the grim reaper,” Bugs once said to Jordan.</p>
<p>“Maybe Jordan here was the real Ripper on the Bowery and he did it just for the heck of it,” blurted out Shem.</p>
<p>Jordan responded with a sickening laugh.  He made no denial to the charge.</p>
<p>“Maybe Jordan did it to provide material for a screenplay that he intends to write for a Hollywood B movie,” chipped in Gyp.</p>
<p>“Say, that isn’t a bad idea,” Jordan said coming to his own defense. “I heard California is still sunny this time of season and there are plenty of pretty girls.”</p>
<p>“And victims,” said Shem.</p>
<p>Some of the fellows laughed at Shem’s remarks but they weren’t laughing when January rolled around and they received a gloating postcard from Jordan out on the Pacific coast that closed with the cryptic message of “the Clowns are men that will not be blamed for nothing .”</p>
<p>Jordan made a handful of motion pictures before he eventually died of a drug overdose. Nobody could really verify if he was in a police line-up during the Black Dahlia case.</p>
<p>“Oh, I think Momma would have loved to see Joan Crawford playing her up on the silver screen,” gushed Hughie.</p>
<p>“Hughie, you’re just as bad as Jordan,” fumed Bugs.</p>
<p>“I miss Momma’s chicken soup,” put in Shem before tempers could flare.</p>
<p>Poppa seemed very peaceful and happy once Momma was out of the picture.  He had become the scandal of the neighborhood when he started dating a very young Irish colleen from Sixth Street.  Nobody had the heart to tell Hughie that it was an established fact that his new sweetheart had been a paid sweetheart beneath the tracks of the elevated.  More than a few suspected that the little old Yiddish-speaking man from Europe was no dummy; some even were even  whispering  that Hughie Kressin was really the Ripper on the Bowery who had manufactured the murders with the ultimate aim of getting rid of his pesky wife.</p>
<p>It was right around St. Patrick’s Day when the residents of the Bowery were putting up their shamrocks, cooking their corn beef and cabbage and dying their beer green when Chief Inspector Rat Rice made an unannounced visit to the Bohemian Café. Lukewarm greetings were exchanged before the Chief Inspector got right to the heart of the matter.</p>
<p>“As far as the mayor and city hall is concerned Squirt Sheridan was the Ripper on the Bowery andhis last two victims were your pals Creepy and Whitey Kelly.  It’s too bad about the second body not being dragged up with the nets.  Poor Creepy was probably food for the sharks and the crabs somewhere at the bottom of the Atlantic,” said Rice.</p>
<p>“Sounds reasonable to me,” said Bugs.</p>
<p>“You fellows wouldn’t be holding out on me?” asked the Inspector.</p>
<p>“We’re no wiser than Precinct 9,” responded Bugs.</p>
<p>“So case closed!”</p>
<p>“So case closed,” Bugs said slowly.</p>
<p>When the Giants were just about to open up the new baseball season at the Polo Grounds against the Brooklyn Dodgers, Mario put a serious question to Bugs behind the closed doors of Hughie’s back room.</p>
<p>“So you’ll go to your grave believing Creepy Kelly was the Jack the Ripper of White Chapel, London and Whitey Kelly was the Ripper on the Bowery here in New York City?”</p>
<p>“I’m 100% positive.”</p>
<p>“And I’m 100% positive that Creepy Kelly was the Ripper both times.”</p>
<p>“And I’m 100% positive that I miss Momma’s chicken soup but I don’t miss Momma one bit,” said Shem; his eyes bulging in his village idiot-like stare.</p>
<p style="text-align: center;">The End</p>
<div class="endnotice"><em>The Ripper On the Bowery</em><br />
Copyright © 2010 by Steven G. Farrell, All Rights Reserved</div>
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		<title>Weird Tales: Reaping</title>
		<link>http://www.candlelightstories.com/2010/08/25/weird-tales-reaping/</link>
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		<pubDate>Thu, 26 Aug 2010 04:35:16 +0000</pubDate>
		<dc:creator>Alessandro Cima</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Weird Tales]]></category>
		<category><![CDATA[short story]]></category>
		<category><![CDATA[strange]]></category>
		<category><![CDATA[tales]]></category>
		<category><![CDATA[weird]]></category>

		<guid isPermaLink="false">http://www.candlelightstories.com/2010/08/25/weird-tales-reaping/</guid>
		<description><![CDATA[By Pam Farley Pamela Farley is an Australian author of dark fiction. She is a member of the Australian Horror Writer&#8217;s Association and has had more than a dozen of her short stories published in magazines in Australia and the UK. Pam lives in rural South Australia with family and assorted animals. She works in [...]]]></description>
			<content:encoded><![CDATA[<!-- Flash Video Resizer 1.5 : 580pixel --><p><strong><img class="alignleft size-medium wp-image-2004" title="CandlelightWeirdTalesLogo" src="http://www.candlelightstories.com/Blog/wp-content/uploads/2009/06/CandlelightWeirdTalesLogo1-300x257.png" alt="CandlelightWeirdTalesLogo" width="300" height="257" />By Pam Farley</strong></p>
<p>Pamela Farley is an Australian author of dark fiction. She is a member of the Australian Horror Writer&#8217;s Association and has had more than a dozen of her short stories published in magazines in Australia and the UK. Pam lives in rural South Australia with family and assorted animals. She works in a country veterinary practice.</p>
<p><a href="http://www.lulu.com/spotlight/PamelaFarley">http://www.lulu.com/spotlight/PamelaFarley</a></p>
<p>Today&#8217;s weird tale takes us to a remote farmhouse&#8230; at night.  The power goes out&#8230; Where are the matches?  Where&#8217;s the cat?  What&#8217;s that glow through the trees?</p>
<p style="text-align: left;"><em>Adult Themes</em></p>
<p style="text-align: center;">
<h2 style="text-align: left;">Reaping</h2>
<p style="text-align: center;">
<p>Samantha had been away for the weekend with her girlfriends. The break had been fun and all the girls were still laughing raucously when they dropped her at the gate. Her small farm house was ten kilometers from town, and in the still rural-twilight the din the girls made seemed to linger in the air.</p>
<p>As she got out of the car Samantha could hear the telltale clinking of empty Cruiser bottles rolling around on the car’s floor. The girls were singing, loud and off key while she got her bag from the boot. When the tooting vehicle departed there were limbs flailing from all four windows. The car turned at the end of the road and disappeared. Darkness came on suddenly, accompanied by a cool wind. Samantha swayed and clutched the gate post. The three drinks she had gulped down in the last hour had gone to her head. She gave a giggle.</p>
<p>The sensor light failed to come on when Samantha walked to the porch. The area was in shadow and she couldn&#8217;t see a thing. She tripped on the metal boot scraper by the door and swore. It was sheer luck when the key in her hand found its way into the lock, and the back door sprung open.<a href="http://www.candlelightstories.com/Blog/wp-content/uploads/2010/08/FarmhouseNight1.jpg"><img class="alignright size-full wp-image-5218" title="FarmhouseNight" src="http://www.candlelightstories.com/Blog/wp-content/uploads/2010/08/FarmhouseNight1.jpg" alt="" width="400" height="273" /></a></p>
<p>It was darker in the house than it had been outside and Samantha’s hands fumbled along the walls from memory, but there was no response from any of the light switches. More obscenities sprang from her mouth as she realized that the problem was within the fuse box outside. By bumping and feeling her way to the laundry she located the torch on a shelf next to the clothes dryer.</p>
<p>‘At least this still works,’ she muttered to the night.</p>
<p>But the globe glowed dim and she knew it would not last for long. She rushed outside to check the fuses. Panic had rendered her sober and dexterous. A systematic check of the old porcelain plugs soon helped her to identify the blown one. She re-threaded it with the fine steel wire kept inside the power box. But when she replaced the plug and threw the switch there was a loud bang as it blew again.</p>
<p><span id="more-5215"></span></p>
<p>‘You piece of shit!’ she exclaimed.</p>
<p>Her nearest neighbor lived over a kilometer away and she did not feel like making the trek over rocky paddocks in this blackness. She wasn’t sure what help he could offer anyway, he was no electrician. She looked across the distance toward his house.</p>
<p>A tiny glint of light cut through the night. Samantha glanced up to see if the moon was reflecting off something, but the sky was a blanket of black. The light must be coming from my neighbor’s house, she thought.</p>
<p>She shrugged and went back inside. With the dimming flashlight in her hand she went in search of candles and a lighter. Silently she cursed herself for giving up smoking. At least in those days she could put a hand on a half a dozen lighters in a heartbeat. A small oil-burning lamp sat at the bottom of her kitchen cupboard and she lit it with the last match in the box. It gave off an eerie glow but it would be more reliable than the failing torch.</p>
<p>It struck her as odd that her cat, Fanny, had not yet come to greet her, and she walked through the house calling her pet. From the dining room window she spotted the glow from across the paddock.</p>
<p>Did it seem brighter, or perhaps closer? She wondered.</p>
<p>Fanny’s white coat looked luminous in the lantern’s yellow flame and Samantha bent to touch her. The cat was cold and solid. Samantha’s hand flinched away as a shudder of fear passed through her. She cried out with a wet sob.</p>
<p>Fanny was quite dead.</p>
<p>Samantha tried to think what might have happened to her pet. The window was propped open to give the cat access outside, so perhaps a car had hit her. Hard to believe when only a handful of people ever used the thoroughfare. In summertime she would have considered a snake bite, but it was far too cold this time of the year for such nasties to be out and about. The animal had been in rude good health when she had left on Friday night, so whatever had befallen her, it must have been sudden.</p>
<p>Hot salty tears spilled down her cheeks as she carried the stiffened body of her beloved cat. But even in her misery Samantha’s blurring eyes were drawn once more to the ever-brightening glow in the paddock. It was starting to take form and it was definitely closer.</p>
<p>She wondered if it was her neighbor working late, perhaps tending to a sick cow. But surely it was the wrong direction. His livestock were kept much further south. With this thought in mind she felt hot prickly worry. It made her squirm. Her own pony and goat were out there somewhere, and she hoped that her brother had remembered to come and feed them.</p>
<p>Perhaps that was Phil out there with a torch, she wondered. Perhaps one of my animals has taken ill. She looked down at the stiff body in her arms. Surely I couldn’t be that unlucky.</p>
<p>Her tears had begun again and she berated herself for not being tougher.</p>
<p>Phil’s car had not been parked outside, she told the dead cat, and so he couldn’t be here. Samantha sniffed and jutted out her chin. She had been alone in this isolated cottage for three years since her mother had died. She was used to the remoteness but her pets were important to ward off any feelings of loneliness.</p>
<p>From the kitchen she got a garbage bag and wrapped Fanny in it. She put the body in the wash-trough and went outside to check on her other pets. The lantern flickered in the mild breeze but did not extinguish. Samantha used the fence as a guide, fumbling and tripping over shrubs and rocks. She pulled her cardigan tight around her. The temperature seemed to have dropped now that she stood on open ground. The cold gusts soon had her teeth chattering. She shielded the lamp with her body, knowing how vulnerable the tiny flame was.</p>
<p>The glow was much nearer now and she presumed that whoever was out there would call to her soon. She strained her eyes to try to pick out either the goat’s shaggy white coat, or Pip’s darker chestnut form. Her call carried across the yard but was not returned with either a bleat or a neigh.</p>
<p>The catch on the old rusty gate was stuck and she had to heave against it to get it to unlatch. But it still didn’t move even once it was undone, and all the pushing and cursing she expended on it could not make it budge.</p>
<p>‘Crap, crap and double crap,’ she cursed.</p>
<p>She swung her head around toward the glow in the paddock, feeling momentarily guilty about swearing. The light drew ever closer but she still could not make out who it was. An involuntary quiver caused her arm to shake and the lantern to tip. Samantha fought to steady it before it fell onto the ground. The flame ebbed and spluttered but remained lit. It was then that she saw the body of her pony on the other side of the gate.</p>
<p>No,’ she whispered. ‘Pip, Pip get up, please.’</p>
<p>But when she reached out to touch the pony’s neck she knew that it wasn’t possible. Nor was it possible for the goat nearby, whose body was stiffened and beginning to bloat, to ever stand again.</p>
<p>They were both dead.</p>
<p>‘No! No! Why?’ she howled.</p>
<p>Tears flooded as the pain of loss hit her like a punch to the stomach. Her head reeled with the tragedy of the situation. It took a few seconds before she comprehended that these creatures had not died by accident. An icy tingle went up her spine and her mouth became quite dry. Samantha swallowed hard. The light had disappeared behind the garden shed. When it re-emerged she wanted to greet whomever with dignity, not blubbering like some kindergarten child.</p>
<p>The brightness was not emitted from a torch or lamp; it came from the creature itself. It was tall and slim and most certainly not human. A malicious smile appeared to cross its face as the thing moved ever closer. It exposed clusters of needle-like teeth that dripped with a greenish-yellow liquid.</p>
<p>This time when Samantha trembled the lantern did hit the ground, and the darkness embraced her.</p>
<p>The light of dawn fell upon the small farmyard. The wheat in the paddock seemed to sing in the gusty wind. It was the only sign of life for a very long way.</p>
<p style="text-align: center;">
<p style="text-align: center;">
<p style="text-align: center;">The End</p>
<p style="text-align: center;">
<p style="text-align: center;">
<p style="text-align: center;">&#8220;<em>Reaping</em>&#8221; Copyright © 2010 by Pam Farley, All Rights Reserved</p>
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		<title>Short Story: In the Shade of the Allan Gardens Greenhouse</title>
		<link>http://www.candlelightstories.com/2010/04/23/short-story-in-the-shade-of-the-allan-gardens-greenhouse/</link>
		<comments>http://www.candlelightstories.com/2010/04/23/short-story-in-the-shade-of-the-allan-gardens-greenhouse/#comments</comments>
		<pubDate>Sat, 24 Apr 2010 00:23:16 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Short Stories]]></category>
		<category><![CDATA[adult]]></category>
		<category><![CDATA[mature]]></category>
		<category><![CDATA[short story]]></category>

		<guid isPermaLink="false">http://www.candlelightstories.com/?p=4297</guid>
		<description><![CDATA[By Mike Sauve Adult Reading &#8211; Mature Content A graduate of Ryerson Journalism, Mike Sauve has written for The National Post, The Toronto International Film Festival Group, Exclaim Magazine and other publications.  His fiction has appeared in the humor journal Feathertale. His National Post features reveal a sardonic prose style that is unique and inviting. [...]]]></description>
			<content:encoded><![CDATA[<!-- Flash Video Resizer 1.5 : 580pixel --><p><strong>By Mike Sauve<br />
</strong></p>
<div class="authorinfo">
<p><strong><span style="color: #ff0000;">Adult Reading &#8211; Mature Content</span></strong></p>
<p>A graduate of Ryerson Journalism, Mike Sauve has written for The National Post, The Toronto International Film Festival Group, Exclaim Magazine and other publications.  His fiction has appeared in the humor journal Feathertale. His National Post features reveal a sardonic prose style that is unique and inviting.</p>
</div>
<h2 style="text-align: center;">In the Shade of the Allan Gardens Greenhouse</h2>
<div class="story">
<p>In the late 19th century George Street “caught the refined tone”* of Toronto’s noblest family mansions on neighboring Jarvis Street. Today it rots and rages with the bitter pulse of strong beer and crack cocaine. Inside Seton House, called Satan House by those in the know, live 600 homeless men. It’s an alternate universe created by the synthetic horror of cheap crack and all the foul additives irresponsibly mixed in. It’s the most dangerous street in Toronto according to police.</p>
<p>So many are high the air is charged with bizarre energy, almost always negative, excluding those heart-wrenching seconds after a crack-blast when euphoric peace blooms for a few seconds before vanishing like it was never there.</p>
<p><span id="more-4297"></span></p>
<p>Satan House also has a wet rehab. 150 of the most regularly hospitalized men (12-16 times a month on average) get one drink an hour for eight hours. They sit around swilling it and begging for sips. The only councilors who’ll work there are frightened new immigrants. An old Mexican janitor shaves lousy heads once a week. All 600 men receive $27 a week to provide for their basic needs on Thursday morning. Then the crack dealers swarm.</p>
<p>The rest of the time the crack dealers sit in broken homes on their couches, boasting about guns, accidentally shooting one another (Robyn Doolittle, Toronto Star, Aug 14), eating fast food. The enterprising crackheads cook and treat batches of Orajel, a mouth-freezing agent made to look like crack and sell it to newcomers who say, “People just don’t try to fuck you like this in Nova Scotia.” Same newcomers maybe try to get a telemarketing job, get some bad directions and end up going the wrong way on a streetcar for an hour, paying another fare all to end up late for the group interview like they’ve always been. Swearing and drunk later they wander into the inferno that drew them here in the first place.</p>
<p>The newly initiated get the Orajel, a hazy brain and some unpleasant confusion, maybe some brain damage. No one considers it much. If you want it bad enough you risk robbery or a punch in the face. The people who regularly buy crack have nothing to lose and know what they’re doing. On rare occasions you can deal honestly with these people.</p>
<p>I came out of Fillmore’s strip club having drank more than two people should in a week and having only eaten a handful of Family’s Best chips—the most dehydrating chip on the market. I commission a crackhead hoping to get $5 worth of crack out of my $10 bill. We negotiate. “I know what a ten piece looks like,” I caw, a drunken menace in my own right. I would not have remembered what he looked like were it not for his garish gold jersey, which had a brighter shade of gold lettering Washington Wizards. He gives me more. I stumble home, salivating and it’s Orajel. I smoke every piece to make sure, and then collapse while my dog barks in fear.</p>
<p>The next day is a big community event in Allan Gardens. Across Gerrard Street from the crack horrors of George Street and Satan House are Sri Lankan dancers, moon-bounces and bums lining up for free samosas and water, inevitable crazies possessed and screaming, families mostly, the usual Sunday morning beer-drinkers having found somewhere else to go you must suppose…politicians and their supporters handing out buttons, awareness-raisers.</p>
<p>Allan Gardens is one city block located between Jarvis and Sherbourne at Carlton Street with elegant foliage and a New York film dream quality that wows tourists who never heard of it, but have seen it in plenty of romantic comedies where it poses as Central Park and Boston Common somehow. There are 5 churches on its four corners. Wild-eyed Baptists preach in the park on Sunday evenings (Mike Sauve, National Post, Sept 29, 2007), Jamaicans play dominoes in the shade, pretty girls suntan and have picnics, banjo-picking hipsters smoke marijuana. Entire societies of dog walkers gossip and giggle. There are also entire societies built on buying crack, turpentine huffers, kind black women who feed the bums macaroni and hand out bottles of water. Bums who say, “God bless you,” to these ladies. Bums who try to steal bikes from weaker people. Bums who mostly yell and fight with each other if they’ve even got the strength to stand up and bother anybody.</p>
<p>The saddest bums will need to be picked up off the ground by somebody, God knows who. If you call their Seton House landlord they aren’t particularly interested in corralling a wayward tenant. The sun is here and it’s taking something away from them. They are replacing it with 8% beer.</p>
<p>I choose a specific park bench in shade of the greenhouse and play an MP3 of a police officer saying, “You are under arrest” on my tape recorder. I also hand my camera to an accommodating Chinese student and ask if he’ll take my picture sitting on the bench. In the foreground I hold a toy police badge from the Dollar Store.</p>
<p>There are a lot of cops in the park. I ask this one cop, “I know this amateur just came from Sudbury who got his hands on way too much crack against all odds, he’s selling to pregnant teens, exhaling big clouds of crack smoke outside the Eaton Centre. It’s getting ugly. If I arrange to buy off him an ounce will you be around for the bust? This guy trusts me, thinks I’m some kind of well-heeled remittance man. I’ve seen him in Allan Gardens a bunch of times so he’d think it was normal to meet me here after the community party’s done.” They ask me a lot of hard questions, wonder why I’d want to set someone up, tell me about the risks. But I wasn’t a crackhead nor dressed in a careless fashion, so the law bought my concerned citizen routine and accepted my card. Five minutes later I get a call and the whole thing is arranged with some undercover guys working the park.</p>
<p>Normally if you’re going down George Street looking for drugs the best bet is to look like absolute shit. The more you fit in the less of a mark you appear to be. I was happy to look like a mark on this occasion. I found the dead-eyed slunk who’d sold me the Orajel, still styling his gold jersey, still right outside the strip club. It struck me as an intelligent place to push Orajel.</p>
<p>“Hey there’s my man.” I said conspicuously.</p>
<p>His eyes shifted. “Yo you need something?”</p>
<p>Did he recognize me? Was this savvy, idiocy? It didn’t matter. “Ya man you hooked me up with that ten piece last night. I didn’t smoke it but I sold it to some of my boys at twice the price and they loved it. Want me to pick up a half-O if you can give me a good price.”</p>
<p>Nobody buys half ounces or even grams of crack on George Street. I deliberately gave the impression of being a foolhardy resident of nearby Ryerson University.</p>
<p>“How much you think that will be?” I asked.</p>
<p>“Man you lucky because I know this guy he’s got the top shit goin&#8217;, give it to you $1000. You be getting all your friends high, make $10,000 of that easy money. You lucky you know you came to the right guy come on.”</p>
<p>They always want to lead you somewhere. Back to the crackhouse for a hard knock on the forehead or some insulting splinters of crack followed by angry yelling once they had your money.</p>
<p>“Nah, deal this big you meet me in Allan Gardens in 3 hours.”</p>
<p>“I can’t get that kind of shit on credit,” he said instinctively…the truth was he probably couldn’t scrape up the money for even enough Orajel to make a believable looking batch.</p>
<p>“Well you’re going to have to.” I was confident if he let anyone in on the $1000 miracle score he had coming he could generate enough cash to buy a few tubes of Orajel. Then he could cook it on a crack house stove used exclusively for crack and Orajel preparations. No Sunday night mashed potatoes for these households.</p>
<p>“Meet me in Allan Gardens, the benches in the shade under the greenhouse.”</p>
<p>“Man that place is full of undies.”</p>
<p>“We can do it slick enough, you pass it to me, I get a quick look then I pass you the money. I want to do it there so there can’t be a big robbery scene. A person can’t be too careful.” He agreed with a sneer and a nod and I returned home past the congregated crackheads flailing their undying hatreds in the 3pm downtown humidity.</p>
<p>I stopped at the bench and played the recording one more time for good measure then went home and watched a 3-hour documentary on Tom Petty.</p>
<p>When we met in the park he was obviously nervous. I’d smoked a couple of joints and felt like Tom Petty. He knew there were cops around and didn’t want to be seen with an ounce of Orajel that looked like crack cocaine. I had given the police the exact time and bench so I figured the undies were in place. An old man wearing workboots seemed particularly observant.</p>
<p>The golden wizard instructs me to stuff the bag immediately under my shirt. But I prolong his furtive pass by holding it between us, his hand still in contact as a Korean dog walker snaps a picture while the man in the workboots shows his badge. “You’re under arrest.”</p>
<p>There was something otherworldly about the old work-booted man: his white hair, his face that resembled legendary hockey coach Pat Quinn. The crackhead looked at me and knew I was up to some spooky shit. He did not cry out: It’s not real…perhaps used to being busted, or else he perversely didn’t want to give up face in front of his mark, or else it had even been changed to crack in his mind by then.</p>
<p>He could be back on the street the next day, and I’d have to watch out for him. People sometimes need to be forgiven. But he messed with the wrong guy when he sold me that brain-freezing garbage. Brain damage can’t be undone. It’s dangerous casting a hex on someone, they can come right back at ya and twice as hard. But shit has to be taken care of sometimes.</p>
<p>* <em>Toronto Past and Present (1882) Charles Pelham Mulvany</em></p>
</div>
<div class="endnotice">The End<em> </em><br />
<em>In the Shade of the Allan Gardens Greenhouse</em><br />
Copyright © 2009 by Mike Sauve, All Rights Reserved</div>
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		<title>Weird Tales: The House and the Baboon</title>
		<link>http://www.candlelightstories.com/2010/02/22/weird-tales-the-house-and-the-baboon/</link>
		<comments>http://www.candlelightstories.com/2010/02/22/weird-tales-the-house-and-the-baboon/#comments</comments>
		<pubDate>Tue, 23 Feb 2010 04:46:42 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[Author Bill Ectric]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Weird Tales]]></category>

		<guid isPermaLink="false">http://www.candlelightstories.com/?p=3727</guid>
		<description><![CDATA[By Bill Ectric Bill Ectric has been featured on the web by Literary Kicks, Dogmatika, Mystery Island, The Beat, Syntax of Things, Empty Mirror Books, 99 Burning, Lit Up Magazine, Zygote In My Coffee, and Minnesota Public Radio. Bill’s first novel, Tamper, is the rollicking story of two young fans of unexplained mystery and arcane [...]]]></description>
			<content:encoded><![CDATA[<!-- Flash Video Resizer 1.5 : 580pixel --><p><strong><img class="alignleft size-medium wp-image-2004" title="CandlelightWeirdTalesLogo" src="http://www.candlelightstories.com/Blog/wp-content/uploads/2009/06/CandlelightWeirdTalesLogo1-300x257.png" alt="CandlelightWeirdTalesLogo" width="300" height="257" />By Bill Ectric</strong></p>
<div class="authorinfo">
<p><a href="http://www.billectric.com/">Bill Ectric</a> has been featured on the web by <em>Literary Kicks, Dogmatika, Mystery Island, The Beat, Syntax of Things, Empty Mirror Books, 99 Burning, Lit Up Magazine, Zygote In My Coffee,</em> and <em>Minnesota Public Radio</em>.</p>
<p>Bill’s first novel, <a href="https://www.createspace.com/3389038"><em>Tamper</em></a>, is the rollicking story of two young fans of unexplained mystery and arcane history. The story follows these aspiring paranormal investigators, Roger and Whit, from summer treasure hunts and dark autumn secrets, through estrangement and drug-induced psychosis, to the island of Malta, where, according to an actual 1940 National Geographic article, a field trip of children and their teacher disappeared without a trace in the ancient Hypogeum catacombs.</p>
<p>He lives with his wife in Jacksonville, Florida. By day, when not writing, Bill mows the lawn and complains about the heat. By night, he sneaks around in the back yard, convinced that the garden gnomes are “up to something.”</p>
<p><a href="http://www.candlelightstories.com/fiction/weird-tales/bill-ectrics-author-page/">Read Bill Ectric&#8217;s full bio and more stories on his Weird Tales author page</a>.</p>
<p>This story is part of the collection, <em>Time Adjusters and Other Stories</em>.  <a href="http://www.amazon.com/Time-Adjusters-Other-Stories-Ectric/dp/0595358071/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1247455079&amp;sr=8-1">Get it from Amazon</a>.</p>
</div>
<h2 style="text-align: center;">The House and the Baboon</h2>
<p style="text-align: center;">a short story</p>
<div class="story">
<p style="text-align: center;">Part 1</p>
<p>A haunted house would make a good article, I thought. I called in sick on Tuesday, drank some coffee, and sat down to write. My wife went to work. Now it was 10:30 AM, which is like a magic hour when you call in sick because it’s not too late, plenty of possibility left in the day, and usually some good TV shows come on about this time. Old reruns, sensational talk shows, and Judge’s Court. But I’m not watching the judge today. I’ve got a story to write about the haunted house across the street.</p>
<p>It is not a traditional haunted house; it’s a Florida haunted house, meaning there is a window on the second floor shaped like a porthole that seems to scream shrilly at you when you walk past it at night. Then there’s the old dead coconut tree and the rusted anchor someone put in the yard years ago for decoration. The scarred up door that’s been broken into and patched up twice. Nobody has lived there for seven years, which is strange. There has never been a For Sale sign in the front yard. People say it’s haunted because of inexplicable incidents, like when some kids snuck in for kicks and came out all freaked about a “hairy legged” apparition they saw. I don’t know what the hell they saw.</p>
<p><span id="more-3727"></span></p>
<p>To write, I took a pill to wake me up along with the coffee.</p>
<p>I was also waiting on the Sears Plumber to fix my clogged sewer pipe. I was getting very pissed off because the plumber was late. They are always late.</p>
<p>I got out there in the yard and dug up part of the pipe but the glaring, hot sun sent me scurrying for air-conditioned cover. The only thing I hate about Florida is the sun.</p>
<p>Now I’m waiting for the plumber and I’m on edge.</p>
<p>I needed something to take the edge off. My wife’s gay cousin Mark was living next door with my biker neighbors, Big’un and Fran. Mark had been kicked out of his last house over a misunderstanding involving dope. He had pawned his roommate’s TV while the roommate was away doing a construction job.</p>
<p>Mark was always moving for one reason or other. He was a big hulk of a man who had played football in high school and liked to refer to himself as a “red-neck queer.” His parents had made him move out of their house when they failed to turn him straight by threats and preaching.</p>
<p>I had been pissed off at Mark for trying to tell me how to run my life and being stingy with his dope, but now, in the spirit of Christian forgiveness, I called him on the phone and said, “Hey, how’s it going, does Big’un have any more of that scotch?”</p>
<p>“The good scotch in the Harley Davidson decanter?” Mark asked in horror. “Helll, nahhh, I can’t touch that! Big’un would kill me! I got some special diet pills if you need a pick-me-up…”</p>
<p>“Well, we can’t do one without the other!” I barked. “Listen, man, this is no time to quibble over situational ethics! Pour the scotch in a cup and put some ice tea in the decanter to replace the scotch. You’ll be moved or kicked out before they discover it’s gone!”</p>
<p>Big’un and Fran were away at Bike Week in Daytona.</p>
<p>The next thing you know, my wife’s cousin Mark and I are over at Big’un and Fran’s house sharing a big Burger King cup full of good scotch. I thought I was ready to write, but Mark had other ideas.</p>
<p>“Oh, I see how it is,” Mark started in on me. “Take my dope and then leave to go write that bogus crap you always write. Pushing your friends away! Chasing a dream!”</p>
<p>“But, the Sears plumber is supposed to show up at my house,” I said.</p>
<p>Mark snorted in disgust, “Are you a dumb-ass or what?”</p>
<p>“What now, for God’s sake?” I asked.</p>
<p>“You called Sears? You know they are a booj-wa outfit!”</p>
<p>He meant “bourgeois” and I don’t even know if he knows what it means.</p>
<p>I said, “What are you talking about?”</p>
<p>“They take on more customers than they can possibly serve, just to insure money coming in, but they don’t give a rat’s ass about you.”</p>
<p>“Well,” I said. “You may be right.”</p>
<p>“I’m always right,” he said smugly. “You know,” he added, “They came out with the last Sears catalog and I’ve got one. It’ll be a collector’s item.”</p>
<p>He waved the slick, glossy Sears catalog in the air. “Last one ever made!” he said.</p>
<p>“Yeah, right,” I said.</p>
<p>“Hey,” Mark’s face lit up. “I think we have a way to get revenge on the Sears plumber. The empty haunted house across the street. We call the plumber to that house, and nobody lives there so we can do whatever we want!”</p>
<p>I said, “You mean, like, kick his ass?” I was just asking.</p>
<p>“And stuff pages of the Sears catalog up his ass!” Mark shrieked.</p>
<p>“Wait a minute,” I cautioned firmly. “Nobody’s gonna stick nothing up anyone’s ass!”</p>
<p>“You fuckin’ closet poof,” he yelled. “If we call the plumber to the haunted house, we stuff pages up his ass! As long as he doesn’t see out faces, people will think the ghosts did it! See?”</p>
<p>“Fine,” I said. “Whatever. And I’m not a closet poof. I just happen to like drama, like you, but I’m not!”</p>
<p>“Yeah, yeah,” he brushed me off.</p>
<p>By now it was 12 noon and we were buzzing. We drank deep from the cup of booze and Mark dialed the phone…</p>
<p>Someone at Sears answered the phone.</p>
<p>“Yes,” Mark began. “I’m calling to ask why the plumber isn’t here yet. Yes. My address is 2201 Blatbaum Place.”</p>
<p>He was giving the address across the street.</p>
<p>“What?” he asked. “No. 2201. Yes. Well, I don’t know why you have 2202 on your clee-up board. We’re on the right side, about a mile from you as the crow flies…What? Crow. It don’t matter, look, it’s 2201 Blatbaum! Dammit, when can I expect someone?”</p>
<p>I had found a pack of Fran’s Belle Air cigarettes, so I fired up one of those. I was rushing and feeling good but also kind of worried about the passing of time. It was after one o’clock. More scotch.</p>
<p>The next thing I remember is I’m in Big’un and Fran’s bath tub in hot water and bubble bath, just wearing my underpants, reading an Easy Rider biker magazine I found.</p>
<p>Mark was in the kitchen cutting up vegetables to make a stew. He was stealing onions, potatoes, celery, and a can of Campbell’s cream-of-something soup from the pantry. We knew they wouldn’t be back from Bike Week until tomorrow.</p>
<p>The damn Sears plumber van pulled up across the street. I was out of the bath and into a Japanese robe that belongs to Big’un &amp; Fran’s 19 year old daughter, Stella, who was away at Flagler college in Saint Augustine. Mark and I gazed out the window at the plumber across the street.</p>
<p>“What are we gonna do?” I asked.</p>
<p>“Just follow my lead,” Mark said authoritatively.</p>
<p>Much of the action is a blur in my mind but it involved a Sears plumber gagging and snorting as Mark hollered, “Squeal!” and pages and clothing were torn and some violent kicking and cussing and scotch flying all over the room. I know we forgot to remain anonymous.</p>
<p>I tried everything in my power to quell the atrocity, falling back by instinct on the “just say no” virtue.</p>
<p>I remember yelling at Mark, “He said no you perverted hick! What part of no do you not understand?!”</p>
<p>Mark always calls me a dumb-ass but now he was dangerously out of control and risking jail time. I convinced Mark we had to flee the scene.</p>
<p>About 3:30 PM we were back at Big’un and Fran’s house. I was starting to get paranoid because I knew my wife would be home in a hour or so. This was not at all the blissful 10:30 AM vibe; time was running out. Christmas was over and the toys were broken. Damn, now what?</p>
<p>I focused my eyes on the spoonful of soup Mark was holding in front of my face to taste. The soup was very good and it helped to clear my head.</p>
<p>“Where’s the plumber?” I asked.</p>
<p>“Chasing a turd down desolation row!” Mark gleefully replied. “HeeHeeeee!”</p>
<p>I ate more soup to sober up and maybe hide my alcohol breath and then realized I was wearing the Japanese robe and some plastic deer antlers. Mark was now wearing a leather jacket he had found in a closet and a shower cap that belonged to Fran. I changed back into my clothes, throwing my wet underwear into the tank on the back of their toilet.</p>
<p>The glaring sun trounced upon my eyes when I walked outside and stumbled on the sandy grass lawn. I made my way home, put Visine in my eyes, and laid down on the couch. When my wife came home I pretended to be sick.</p>
<p>“Might be the flu,” I said.</p>
<p>That night I told my wife, Sonya, “The stupid Sears plumber never showed up. I’m gonna cut my Sears card in two and mail it back to them.”</p>
<p>“That’s not what I heard,” said Sonya. “While you were napping Mark told me the plumber showed up drunk across the street brandishing a pistol. Mark said he had to call the police and he thinks the plumber lost his job.”</p>
<p>“Well, it serves him right,” I said.</p>
<p>Supernatural hauntings, Victorian drug use, and the strange disappearance of a Sears plumber – all these things swirled in my mind as I called my employer the next morning to say I was still “under the weather.” I had a new idea for an article about drug use in the 19th century.</p>
<p>Across the street, the Florida haunted house loomed like a sinister pirate ship. Port-hole window in which people reported seeing a strange figure looking out, the old rusted anchor in the front yard, and at the top of the dead coconut tree there perched a forlorn egret bird, like an omen.</p>
<p>My wife’s cousin Mark, ex-Georgia football playing gay red-neck, had done something in that house but I wasn’t sure what.</p>
<p>Mark is an expert at redirecting blame and had convinced the police that the plumber was the guilty party for pulling a gun. We had not expected a gun.</p>
<p>The police came to my house around 9:00 AM to question me.</p>
<p>“I wouldn’t know,” I told them. “Plumbers are always missing when I call them. I heard he was drunk. Most of them drink on the job and rely on the sewage to cover the odor of booze.”</p>
<p>I went inside and poured a generous dollop of MD-2020 wine into a coffee cup. I wanted to get this article about Victorian drug use started.</p>
<p>See, back in the day when people like Charles Dickens were alive, people could get medicine at the drug store which contained narcotics. I may have my time-line off here, but it wasn’t long before Sigmund Freud was prescribing cocaine to help people get off the morphine. A buddy of mine who majored in psychology warned me not to slander the great psychoanalyst with “half-assed” accusations, saying that Freud later went back and told everyone that cocaine might not be such a good idea. He said it was more important to examine ours dreams for sexual objects and it’s hard to dream if you are wide awake, wired on blow.</p>
<p>But the point is, aspirin is made from tree bark. How in hell was that first discovered? A lot of old witches were simply unlicensed pharmacists with an array of home remedies.</p>
<p>Nowadays, all I take is the occasional beer and, in the winter, Nyquil to slumber golden through the cold &amp; flu bouts. Some cold medicines make me dream in color, complete movies from beginning to end, and if I could ever write those down, well, we’d really have something.</p>
<p>I was having trouble actually writing the article. I couldn’t concentrate due to various minor aches and a general malaise in my brain which needed clearing.</p>
<p>Strong black coffee helps, so I had some of that. Then, off to the store to buy cigarettes. The liquor store wasn’t open yet so I picked up a bottle of strong, cheap wine, MD-2020, at the convenience store. I’m not trying to set a bad example for the young people, so don’t drink in the morning. Unless you work all night; I guess that would be okay.</p>
<p>Questions needed answers. What happened to the plumber? Of course, the place to start would be Mark, who had been directly involved in the melee.</p>
<p>I called Mark. He had convinced Big’n &amp; Fran that while they were away at Bike Week, someone must have broken into their house while he was at work at the dry-cleaners. The culprit had cooked food and ransacked their daughter’s wardrobe. They would not have understood that Mark and I had done this on a wild binge, bikers or not. Mark convinced them that they should not charge him any rent so he could work less often and stay home to guard the house. He assured them, “I won’t tolerate the violation of your home,” and they were grateful.</p>
<p>“Yeah,” Mark told me on the phone. “I get off at noon and I need a ride home.”</p>
<p>When I picked Mark up at the dry-cleaners I asked him, “What exactly happened to the plumber?”</p>
<p>“He was still in the house when we left,” Mark said. “Hiding in a closet. He has been reported missing. When the police questioned me about it, hell yeah, I told them he has a gun. I told them I think he’s schizophrenic because of his irrational behavior and that I’m quite worried about him.”</p>
<p>“So,” I asked, “Do you think he’s still in the house?”</p>
<p>“I’m meeting him there today,” Mark announced. “Perhaps you would like to come along.”</p>
<p>“What? You’re meeting him there?! What for?”</p>
<p>“You know,” Mark explained, “How two guys can get in a fight and then be good friends, drinking buddies?”</p>
<p>“Go on,” I said.</p>
<p>“Well,” Mark continued, “After I tried to stuff a page from the Sears catalog up his ass, he had an epiphany of sorts, and confessed that as a plumber he was very disrespectful of his customers and he wanted to change. He said he didn’t even want to be a plumber anymore and he’s thinking about opening up a clinic to teach laymen how to fix their own pipes.”</p>
<p>“You are a saint,” I said earnestly. “So he’s still in the house?”</p>
<p>“Yeah, and he still has at least three bullets in his gun,” cautioned Mark. “We have to approach him carefully. He trusts me but he thinks you are two-faced. I told him I would keep you in check. By the way, his name is Kelp.”</p>
<p>“Kelp?” I asked. “What the hell kind of a name is that?”</p>
<p>“He used to be a merchant seaman.”</p>
<p>“That doesn’t make all that much sense,” I said.</p>
<p style="text-align: center;">~ Intermission ~</p>
<p style="text-align: center;">Cherub, the Red-assed Baboon</p>
<p>As kids, we were afraid to go into Mr. Claxton’s yard. When a baseball or Frisbee went over his fence, it stayed there. That’s because Mr. Claxton had an ugly baboon named Cherub, of all things, which was supposedly caged but our parents warned us that the hairy gargoyle might somehow escape, and those things can bite. And they are nasty, my Mom said. And my Dad said one time when he was stationed overseas, a chimp had thrown shit at him.</p>
<p>We were out in my friend’s yard one day and decided to put some dog excrement in a paper bag, and put the bag on someone’s porch, set it in fire, and when they went to stomp out the fire, AHH, hahahaha, they would soil their shoe in the dog shit. This was something we always heard about other kids doing. We had never tried it but it was time, before we became teenagers and old enough to be tried as adults. Of course, we were going to do this to Mr. Claxton even though we were afraid of Cherub, the red-assed baboon.</p>
<p>The three of us crouched behind some shrubs and peered into the dark, earthy-smelling wooden lattice-work door, which led under the fence into Mr. Claxton’s yard. The door, about two feet square, was at the bottom of the fence was hidden by a row of shrubs. You could look in between the crisscrossed slat-boards into diamonds of night. As our eyes adjusted to the dark, we could make out Claxton’s house in the distance.</p>
<p>Paul’s older brother said if you go through that door, it’s like a passage to another time, and all different times are like rooms in a mansion; you can go from one room to another. The old lady at the pawn shop had told Paul that there were zillions of “rooms” connected by doors, also called portals, and the rooms right next to each other looked almost exactly the same, like a movie frame, but if you travel to a far away room it will look different and you will be older or younger, or maybe dead. We weren’t sure how heaven fit into it.</p>
<p>We drew open the door as cobwebs stretched and the diamonds spread into squares, framing the well-trimmed lawn of Mr. Claxton. We looked at each other and then crawled, one by one, through the door toward our adventure.</p>
<p style="text-align: center;">~ End of Intermission ~</p>
<p style="text-align: center;">House &amp; Baboon, Part 2</p>
<p>”That plumber is going to shoot us,” I whined to Mark as we approached the ‘haunted house.’</p>
<p>“Shoot you, maybe,” Mark said. “You are the one who pissed him off. I saved him from a life of greed.”</p>
<p>“Go drink some ‘Cabana Boy’ you Georgia fruit,” I said to Mark.</p>
<p>He hit me hard on the shoulder.</p>
<p>“Oww!”</p>
<p>As Mark and I strolled along the sidewalk toward the house, I felt a strange wave pass through me. I could tell Mark felt it, too, because he shuddered and shivered the same time I did.</p>
<p>“Whoa,” I said. “Did you feel that?”</p>
<p>We reached the house and Mark tried the doorknob. It was unlocked. We walked in to an amazing sight.</p>
<p>The plumber had knocked out a large portion of the ceiling between the 1st &amp; 2nd floor so you could look up, up all the way to a small hole in the roof, where beautiful hues of light cascaded down onto pipes. It was like a cathedral of pipes! Kelp the plumber had pipes running everywhere. Big pipes, small pipes, copper, steel, and white PVC plastic pipes, and a couple of black rubber-hose radiator pipes, and all these pipes stretched zigzag in all directions, from the floor up through the second floor to the ceiling. The pipes spread in all directions, turning at angles with elbow joints and connectors and clamps, and a few of the connections had small leaks and every few seconds we could hear the “drip/blip!” echo of water dripping onto the wet, carpeted floor. It was wild. The air was cool and relaxing. The plumber was nowhere in sight.</p>
<p>Silence in the house except for the “drip/blip!” of the water drops. It was several degrees cooler inside the house. Mark was wearing flip-flops so he waded right into the ankle-deep water. I hesitated because I was wearing my good Nikes, but I decided to follow him into the house.</p>
<p>We looked around in wonder at this monumental array of pipes. Sometimes we had to duck under or step over pipes to move through the room.</p>
<p>A noise came from inside a closet.</p>
<p>“Kelp?” said Mark. “Kelp, is that you in there?”</p>
<p>Something stirred behind the closet door.</p>
<p>I started to back away, remembering the gun.</p>
<p>Mark slowly turned the doorknob and opened the door a few inches.</p>
<p>“GAAAGGGHHHHHHH!!”</p>
<p>Something horrible, with hairy arms and legs flailing, burst out of the closet with an awful SCREECH!</p>
<p>Baboon!</p>
<p>Its ugly snarl of teeth and hate-filled eyes froze me. The ape grabbed Mark with one gnarly-knuckled hand on each of his shoulders and lunged forward, sinking its teeth into his neck. Mark fell backwards screaming.</p>
<p>“AHHHHHH! GET IT OFF ME!”</p>
<p>Mark and the baboon were thrashing in the water on the floor, the ape still biting his neck. I ran to them and kicked the ape on the side of the head. It raised up its fur-slathered head and look at me.</p>
<p>Mark, being strong, threw the baboon off of him and it rolled on the floor and stood up, that bow-legged ape-walk with both hands raised in the air over its head and came after me.</p>
<p>I don’t know how I moved so fast, but as the baboon jumped at me I held my hand outstretched, thumb tucked in tight, and rammed my hand and forearm into the beast’s mouth and down its throat, in an effort to choke it. The baboon’s sharp teeth closed on my forearm and I felt pain from the jerking of the animal’s head. My only chance was to wrap my other arm around the ape’s neck and pull it tight to my body to keep its head from thrashing. I held tight and stood up straight as I could while the baboon’s feet kicked me and kicked splashing water on the floor. I thought I was going to lose my grip.</p>
<p>“Over here!” Mark’s shout echoed on the walls. “The closet!”</p>
<p>Mark held the closet door open with one hand while clutching his bloody neck with the other hand. There was blood spreading in the water.</p>
<p>I staggered with the baboon clumsily over to the closet. Mark grabbed the son-of-a-bitch’s jaws, pried them off my arm, and we both threw the damn thing into the closet and slammed the door shut.</p>
<p>I was leaning on the door, breathing hard, my arm bleeding from the bite.</p>
<p>Mark fell to his knees with a thud and a splash, bleeding badly from the neck, crying and gasping through the tears, “Oh, God, Oh, God!” and was still holding his neck.</p>
<p>I yelled, “Mark, go outside! You go out the front door and I’ll run out right behind you! You slam the door shut as soon as I run out!”</p>
<p>“Okay, okay.” He sobbed, standing up awkwardly, his big mass dripping water and blood. He staggered to the front door.</p>
<p>Mark walked out onto the front porch and stepped right on a flaming paper bag!</p>
<p>“OWW!” Mark cried as he lifted his right foot to his left hand, still clutching the bleeding neck trauma with his right hand, and suddenly there was shit everywhere from where his foot stepped on the bag.</p>
<p>“JESUS GAAAAA!” Mark wailed, hopping on one leg, bleeding, and slinging crap everywhere from his hand. He yelled, “MAMA!” and tumbled headlong off the porch into the front yard.</p>
<p>I noticed it was dark outside and three children were running, laughing in the distance toward some shrubs. I recognized this now as old Mr. Claxton’s house.</p>
<p>From behind me I heard the BANG of the closet door flying open and the baboon was bounding out again. This time it knocked me down, face down in the water, its pumping feet grinding my face against the rough, wet carpet, causing a big scrape on my forehead.</p>
<p>The ape bounded over me and out the front door, jumped over Mark, and was chasing the three running children. The kids looked back and screamed in terror. I was too weak to run after the baboon and Mark was wheezing hysterically.</p>
<p>The first child disappeared under the shrubs to safety, then the second child, but the vicious baboon snagged the third child with its teeth, right on the butt. The child screamed in pain and fear.</p>
<p>Suddenly out of nowhere, a dark figure of a man appeared in what looked like a one-piece jumpsuit. The light of the moon gleamed off the object in his hand – a big, heavy wrench.</p>
<p>Kelp the plumber swung the wrench hard and whacked the ape on the head. The baboon froze and then stood straight up, face to face with Kelp, with that bow-legged ape stance, both arms raised above its head. Then it fell forward with a thud, face down on the ground, and didn’t move.</p>
<p>The third and last child, having been bitten, disappeared quickly beneath the shrubs through a secret door in the fence, and we could hear their footsteps echoing down the street as they ran.</p>
<p>We ran as fast as our twelve year old legs would run. Which was pretty fast. I was so shook up I didn’t notice I was leaving drops of blood in the road from the baboon’s bite on my butt. Paul ran to his house and Mark ran to his grandmother’s house where he was visiting from Georgia during summer vacation. I ran to my house.</p>
<p>When I got home, my Dad was talking on the phone to Mr. Claxton.</p>
<p>“Don’t worry, Claxton,” my Dad was saying, “If I find out my boy was involved in this prank I’ll…what?…Yes, I said prank. Look, a little shoe polish will…No, sir, no need to call the police! Like I say…”</p>
<p>“Oh, Lord!” my Mom cried when she saw me bleeding. “What happened?!”</p>
<p>“That bamboon bit me!”</p>
<p>My Dad stopped talking for a moment, looked at me, and said, “Goddamit, Claxton! Maybe I oughta sue your ass for lettin’ that stinking ape bite my boy!”</p>
<p>Then Dad said to me, “I thought I told you to stay away from that son-of-a-bitch!”</p>
<p>Of course, Mom was all upset and started crying.</p>
<p>I figured my best defense was to cry, too. Mom inspected the wound and cleaned it with warm, soapy water and Bacteen, which hurt like hell and made my tears more genuine. But she still wanted to take me to the emergency room.</p>
<p>“That thing might have rabies or God-knows-what,” my Dad said.</p>
<p>I don’t really know how the incident was resolved between Claxton and my parents. When you’re a kid, things seem to blow over because your parents take care of it. I remember Claxton had some papers to prove the baboon had all its shots. I was grounded for a week and so were Mark and Paul.</p>
<p>I’ll never forget Cherub, the red-assed baboon. I never even noticed if his ass was really red, but mine sure was for a while.</p>
<p>My wife Sonya  thought it was crazy that two grown men could get into such a flap with a plumber and a baboon, but she was getting used to it.</p>
<p>The day after our ordeal, I met Mark and Kelp back in the weirdly piped house.</p>
<p>Kelp sat balanced on a horizontal pipe about six feet off the ground with a toothpick in his mouth. I was sitting on another pipe, which was low enough for my feet to touch the floor. Mark was leaning back in a folding chair with his feet propped up on still another pipe, smoking a cigarette. There were bandages on my arm and Mark’s neck.</p>
<p>Over in the corner, sedated with animal tranquilizer but still awake, the baboon sat cross-legged on the floor with a plaster cast on the crown of its head, slowly and sloppily eating a Nutty Buddy ice cream cone. Kelp had adopted the animal and said he wanted to train it to operate a plunger.</p>
<p>Mark was explaining the time travel formula that we found in a pawn shop when we were kids.</p>
<p>“Picture a straight line,” said Mark. “You are a dot in the middle of the line. If you travel forward to the right, you get older. Too far and you’re dead. If you travel backward to the left, you get younger. Too far and you were never born. We think that might be Heaven but nobody knows for sure, and that’s why we’re afraid to die.”</p>
<p>“Who do you think you are?” I asked. “Madeleine L’Engle?”</p>
<p>“I look better in a dress than her,” Mark shot back. He continued, “Now, think of that straight line and join the ends together and you have a circle. Then, there is no longer a left or right.”</p>
<p>Kelp spoke up excitedly, “It all blends together!”</p>
<p>I asked, “Does that mean Heaven can exist here on Earth?”</p>
<p>“So the theory goes,” Mark sighed. “But a time travel formula from a pawn shop has its uncertainties.”</p>
<p>The air was cool and soothing. The gentle “drip/blip” of water was relaxing. The thought of heaven on earth made me feel so good I stood up on the pipe and began to climb. Beautiful cascading hues of light filtered down from the hole in the ceiling as I started climbed the pipes like they were fantastic monkey bars on a secret playground.</p>
<p>I climbed without fear and felt such strength and calm and lack of pain, it was like I was a kid again, or almost like I was Superboy. I climbed to where the floor used to divide the first story from the second. I side-stepped over to another horizontal pipe and climbed higher. Getting wet didn’t bother me. I was beyond the confines of ‘wet’; I existed in bliss. Water doesn’t hurt; it evaporates and all things are new.</p>
<p>I smiled and climbed until I reached the apex, the hole in the ceiling, which was bigger than it looked from down below. I stuck my head and shoulders up through the hole and could see all around, such a great expanse, so wide a world and safe, and I owned it all. I don’t mean I owned it like I could pick it up and take it; I owned it in the sense that it was all there for me and no one could take it away.</p>
<p>And miles and miles of clouds and earth and telephone lines and streets leading to oceans and sparkling oceans as far as the eye could see, and the swelling awe that engulfed me like looking at the biggest thing in the world. And as wide as the ocean was, I sensed it was also deep, so deep, and connecting everything.</p>
<p>Then I was standing on the roof with my arms outstretched and my head back and I felt a sudden jump in my stomach like when you dream you are falling. I realized I had been tense for so long and now the tightness in my stomach muscles relaxed and I noticed there were no aches or pains and my scalp tingled and I seemed to float as I laughed.</p>
<p>I fell back into the hole in the roof and remembered something Jack Kerouac said in the Dharma Bums about, “You can’t fall off the side of a mountain,” or something.</p>
<p>So I let myself fall. Rolling back into the hole I found myself gently supported by the network if pipes. Slowly, like a sloth, I rolled, slid, and melted down the pipe structure from one level down to the next. It seemed to take luxurious hours to settle on the first floor.</p>
<p>By this time, Mark was ready to leave. We said goodbye to Kelp and the baboon.</p>
<p>As we walked home, Mark said, “You know, the pawn shop lady said we would get our wish if we didn’t fight time.”</p>
<p>“That’s right,” I said. “And I did. I wanted to face that baboon again and I did it. What was your wish, Mark?”</p>
<p>“Well,” said Mark, “When we were kids, hiding under those shrubs, it was like a secret hideout. I felt like I belonged. You know, I’ve lived from place to place ever since my parents disowned me.”</p>
<p>“You’re a nomad,” I agreed.</p>
<p>Mark continued, “Kelp said I can move into that weird house with him. He knows someone at City Hall who fudged some papers so that the house doesn’t exist on city records! It could be years before anyone finds out!”</p>
<p>“Years,” I said. “Man, that could be all the time in the world.”</p>
<p>I had used up all my sick days at work so I had to buckle down and learn how to do my job. A few months later, my wife and I moved across town to live in a big house she inherited from her mother. Mark and Kelp still live in the “haunted” pipe house but I heard they had ditched the baboon in one of those big Salvation Army containers where people donate items by shoving them through a door flap. The idea was for the baboon to hand clothing and stuff out to Mark through the small door, but a cop car drove by and Mark hauled ass. A hysterical Salvation Army employee was in the news the next day but the ape got away. All the police found was a big, stuffed teddy bear and they assumed the employee was hallucinating and made him check into a clinic.</p>
<p>One day I’m going to make it back over to their house to catch up on my parallel existence.</p>
</div>
<div class="endnotice">The End<em> </em><br />
<em>The House and the Baboon</em><br />
Copyright © 2008 by Bill Ectric, All Rights Reserved</div>
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		<title>Weird Tales: Atilano&#8217;s Blues</title>
		<link>http://www.candlelightstories.com/2009/12/10/weird-tales-atilanos-blues/</link>
		<comments>http://www.candlelightstories.com/2009/12/10/weird-tales-atilanos-blues/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 06:00:40 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[Author Bill Ectric]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Weird Tales]]></category>

		<guid isPermaLink="false">http://www.candlelightstories.com/?p=3035</guid>
		<description><![CDATA[By Bill Ectric Bill Ectric has been featured on the web by Literary Kicks, Dogmatika, Mystery Island, The Beat, Syntax of Things, Empty Mirror Books, 99 Burning, Lit Up Magazine, Zygote In My Coffee, and Minnesota Public Radio. Bill’s first novel, Tamper, is the rollicking story of two young fans of unexplained mystery and arcane [...]]]></description>
			<content:encoded><![CDATA[<!-- Flash Video Resizer 1.5 : 580pixel --><p><strong><img class="alignleft size-medium wp-image-2004" title="CandlelightWeirdTalesLogo" src="http://www.candlelightstories.com/Blog/wp-content/uploads/2009/06/CandlelightWeirdTalesLogo1-300x257.png" alt="CandlelightWeirdTalesLogo" width="300" height="257" />By Bill Ectric</strong></p>
<div class="authorinfo"><a href="http://www.billectric.com/">Bill Ectric</a> has been featured on the web by <em>Literary Kicks, Dogmatika, Mystery Island, The Beat, Syntax of Things, Empty Mirror Books, 99 Burning, Lit Up Magazine, Zygote In My Coffee,</em> and <em>Minnesota Public Radio</em>.</p>
<p>Bill’s first novel, <a href="https://www.createspace.com/3389038"><em>Tamper</em></a>, is the rollicking story of two young fans of unexplained mystery and arcane history. The story follows these aspiring paranormal investigators, Roger and Whit, from summer treasure hunts and dark autumn secrets, through estrangement and drug-induced psychosis, to the island of Malta, where, according to an actual 1940 National Geographic article, a field trip of children and their teacher disappeared without a trace in the ancient Hypogeum catacombs.</p>
<p>He lives with his wife in Jacksonville, Florida. By day, when not writing, Bill mows the lawn and complains about the heat. By night, he sneaks around in the back yard, convinced that the garden gnomes are “up to something.”</p>
<p><a href="http://www.candlelightstories.com/fiction/weird-tales/bill-ectrics-author-page/">Read Bill Ectric&#8217;s full bio and more stories on his Weird Tales author page</a>.</div>
<h2 style="text-align: center;">Atilano&#8217;s Blues</h2>
<p style="text-align: center;">a short story</p>
<div class="story">I don’t know if my nightmares are from fear or guilt. I should have done more for the child when he called on me for help. What would you do if this happened to you? On a deserted stretch of Arizona highway, a faded sign on a sun-parched cabin said, “Gifts, Souvenirs, Curios – Cold Drinks, Ice Cream, Snacks, Coffee.”</p>
<p>I steered the car into the unpaved parking area. A cold, quenching soft drink would hit the spot, I thought. Dust floated up around my car when I stopped a few feet from the entrance.</p>
<p>A little bell jingled over the door when I walked in.</p>
<p><span id="more-3035"></span></p>
<p>A hefty, grey haired woman sat behind the counter, reading a magazine. When she stood up, I saw she was wearing a colorful Mexican dress, its festive design faded and shapeless over her bulk.</p>
<p>“Good afternoon, sir,” she said.</p>
<p>Souvenirs and gifts surround me, on tables, display stands, rotating pedestals, and wall shelves. What stood out the most, however, was behind the woman. A big bleached steer skull, minus the horns, sat on a shelf beside a metal oscillating fan, surveying the room through empty bovine sockets.</p>
<p>“I like the cow skull,” I said.</p>
<p>“It is a Brahma bull,” said the woman. “Not for sale.”</p>
<p>“Oh,” I said, walking over to a refrigerated cola display case. “Well, it sure adds atmosphere to your shop. What happened to its horns?”</p>
<p>“People use them for arts and crafts. They take the horns and leave the skull.”</p>
<p>I picked out an ice-cold orange soda and approached the counter to pay for it.</p>
<p>High, sustained guitar notes bloomed from the back room like yin-yanging creeper vines. Electric blues licks.</p>
<p>“Wow,” I said. “Sounds like Jimi Hendrix back there.”</p>
<p>“That’s my grandson,” the woman smiled. “My daughter’s son. He is always practicing that guitar.”</p>
<p>I didn’t want to tell her I was a talent scout right away. No use getting her hopes up. But the kid was riffing like crazy and it sounded great. Perfect tone and good technique.</p>
<p>“He’s good,” I said. “How old is he?”</p>
<p>“Nine,” said the woman. “His father taught him the basics.”</p>
<p>“Wow. Is his dad a professional?”</p>
<p>“He passed away two years ago,” she said with a quick sign of the cross.</p>
<p>“I’m sorry for your loss,” I said.</p>
<p>“Thank you.”</p>
<p>The little bell over the door rang again. In walked a young, twenty-something Mexican girl.</p>
<p>“Mom,” she said rather sternly to the older lady behind the counter. “I hear guitar…”</p>
<p>“I told him to do his math first,” said the grandmother, her English breaking from nervousness. “He start playing while I’m occupied with the customer. I cannot be to two places.”</p>
<p>“It’s okay,” said the girl. Then she smiled pleasantly at me and said, “Hello.”</p>
<p>“Hello,” I said. “Is that your son jamming like Santana?”</p>
<p>“Oh, yes,” she said. “He plays good but there is a time and place for it.”</p>
<p>“What’s his name?” I asked.</p>
<p>There was an uncomfortable silence. The women looked pensively at each other. The young mother looked at her watch and sighed. I took a drink of my orange soda, thinking, these women probably see all variety of highway travelers stopping here. They don’t want to give out personal information to a complete stranger.</p>
<p>“I’m sorry,” I said. “It’s none of my business.”</p>
<p>In an unnecessary and meaningless effort to excuse my nosiness, I slid a business card from the wallet I had been holding absentmindedly after paying for my orange drink.</p>
<p>Offering the card to the young mother, I said, “I’m an A&amp;R guy for Conundrum Records.”</p>
<p>I couldn’t believe the extremely negative reaction to that information. The young woman’s eyes narrowed into angry slits that she fixed accusingly on her mother.</p>
<p>“Mother, how could you? What have I told you about this?!”</p>
<p>“I say nothing!” cried the grandmother. She looked at me for corroboration of her innocence. “I did nothing!”</p>
<p>After a speechless moment I said, “It wasn’t her fault. I’m the one who brought it up. I didn’t mean to upset you.”</p>
<p>“I’m sorry,” said the young mother. “It’s a long story. I’m sorry, Mom.”</p>
<p>“Well, I’ve got to get back on the road,” I said as casually as possible.</p>
<p>“Momma!” said a muffled child’s voice from the back room.</p>
<p>The music had stopped and the door to the back room was swinging open.</p>
<p>“I’m coming, Atilano,” said the child’s mother, hurrying to the boy.</p>
<p>Was she eager to see her son, I wondered, or had she rushed to block him in the doorway? To prevent him from joining us? I tried to see the youthful guitarist but his mother stood in front of him, speaking in a low voice. What was she saying?</p>
<p>As the two of them disappeared into the back room, the boy started crying.</p>
<p>“Momma!” he sobbed. “I want to go outside!”</p>
<p>Then the old grandmother got strange on me.</p>
<p>“We have to close now!” she told me. “We are closing, sir!”</p>
<p>Another dust cloud swirled in my rear view mirror as the tires gripped the blacktop, spinning miles of highway between me and the peculiar family store.</p>
<p>I was eating breakfast with singer/songwriter Pete Vrees in Blythe, California, just over the state line from Arizona. Pete had met me here in the lobby of the hotel where I spent the night. The other members of Pete’s band were already laying down instrumental tracks in a Los Angeles recording studio, where we would meet them later today.</p>
<p>“How long will it take us to get to L.A.?” he asked, trying to wipe an accidental jelly smudge from a page of his Egyptian Book of the Dead (deluxe hardcover edition).</p>
<p>“Maybe three hours,” I said, putting an ice cube from my water glass into my coffee so I could drink it faster. “If we hurry.”</p>
<p>“Good,” he said. “When we get there, I can take a nap before the session. I was up half the night reading this.”</p>
<p>“Good reading?” I asked Pete as he shoved the last bite of toast into his mouth and turned a glossy page of the Book of the Dead.</p>
<p>“Yeah,” he said distractedly.</p>
<p>Pete dabbled in mysticism and the occult. It was part of his image, in the tradition of Jim Morrison and Jimmy Page.</p>
<p>“Get this,” he said. “I’m gonna copy some text from this book onto a sheet of paper, then cut the paper into strips and tape it back together all mixed up.”</p>
<p>My cell phone rang while I gulped coffee.</p>
<p>“Yeah,” I answered the call.</p>
<p>A muffled little boy’s voice said, “I want to play guitar for audiences.”</p>
<p>“Hello?” I said.</p>
<p>“You said I play good. I play my father’s guitar.”</p>
<p>“Who is this?” I asked.</p>
<p>“Atilano,” said the child.</p>
<p>“Who?”</p>
<p>“Ahh- tee- LA- no!” he elucidated impatiently. “I play guitar!”</p>
<p>He must have found the business card with my phone number on it.</p>
<p>“Yeah, I remember you,” I said. “But did you ask your mother if you could call me?”</p>
<p>“She locks me in the room,” said Atilano. “All the time.”</p>
<p>A woman’s voice interrupted the boy. I believe it was his mother, scolding him. The boy’s subsequent wail was cut off abruptly by a click of the phone and the line went dead.</p>
<p>“Something is wrong,” I said to Pete, and told him about the incident at the gift shop. “We should call Social Services or the Police or somebody.”</p>
<p>“I don’t know,” said Pete. “It might be nothing.”</p>
<p>The recording session went late into the night. I slept most of the next day and met the band again Sunday evening for another all-night session. Monday, around noon, Pete Vrees woke me up with a phone call.</p>
<p>“Yeah,” I yawned into the phone.</p>
<p>“I’m worried about that kid at the gift shop,” said Pete.</p>
<p>“Yeah,” I said. “I should have told somebody.”</p>
<p>“I did, Bill. Jerry’s dad is a State Trooper!”</p>
<p>Jerry plays drums in Pete’s band.</p>
<p>“What did the trooper say?” I asked.</p>
<p>“He wants to go check it out, but I don’t know where the gift shop is. You’ve got to show us.”</p>
<p>A few hours later, Pete and I pulled into the unpaved parking area in front of the gift shop, followed by an Arizona Highway Patrol car. My car had barely stopped moving when Pete jumped anxiously out of the passenger side. The tall police officer approached us sullenly in his mirror sunglasses and gray trooper hat.</p>
<p>“Why don’t you guys wait outside a couple of minutes,” he said. “I’ll go in and speak to the proprietor.”</p>
<p>“Alright,” I said.</p>
<p>Pete put his hands on his hips impatiently and looked up at the gathering gray storm clouds, which darkened the evening sky.</p>
<p>Watching the cop enter the shop, Pete said, “I’m going around back in case somebody makes a run for it. Is there a back door?”</p>
<p>“How would I know?” I said, following Pete around the corner of the old wood frame building. “I stopped in for a soda.”</p>
<p>There was, in fact, a back door. We stood there, looking at it.</p>
<p>A fat drop of rain splattered on the top of my head. Pete watched more raindrops collecting on his upturned palms.</p>
<p>“What the hell?” he said. “It’s not supposed to rain.”</p>
<p>“It almost never rains out here,” I agreed.</p>
<p>A deafening peal of thunder announced the full-blown downpour.</p>
<p>We squinted up at a swirling phantasm of black clouds, rain stinging our faces like darts.</p>
<p>Pete tried the doorknob, instinctively seeking shelter. The back door opened and we went inside.</p>
<p>“The freakin’ four horsemen are sliding out of their saddles,” said Pete in a low voice.</p>
<p>“We shouldn’t have come in this way,” I said. “What is that noise?”</p>
<p>We heard a low electric hum.</p>
<p>“Look!” said Pete in a loud whisper.</p>
<p>A beautiful sunburst electric guitar stood upright in its stand, next to a vintage leather-covered Supro amplifier. The escalating drone of feedback meant that someone had left the guitar plugged in and powered up.</p>
<p>“Check it out,” said Pete, lightly touching the guitar strings to stop the hum. “Classic1957 Fender Stratocaster, maple “V” neck, and a tube amp, probably from the same year.”</p>
<p>“That must be what the kid was playing,” I said, stating the obvious. “But where’s the kid?”</p>
<p>“Don’t touch anything!” said the State Trooper, standing in the doorway from the front room. “What are you doing in here, anyway?”</p>
<p>“It’s pissing buckets out there,” said Pete.</p>
<p>I finally noticed how wet Pete and I were.</p>
<p>A moan came from the front room.</p>
<p>“There’s an injured woman in the gift shop. A senior citizen. I called for an ambulance. You guys need to come up front.”</p>
<p>Someone or something had wreaked havoc in the gift shop. Rotating display stands were toppled over. Tables with broken legs tilted, spilling ceramic knick-knacks, rubber scorpions, and little wooden outhouses onto the floor.</p>
<p>“It looks like a cyclone hit the place,” said Pete.</p>
<p>Lying on the floor amid broken merchandise, the gray-haired grandmother muttered incoherently. Blood soaked the shoulders of her colorful Mexican dress.</p>
<p>“What happened?” I asked the Trooper.</p>
<p>“I wish I knew. I called for an evidence van as well as an ambulance. She has the teeth marks of an animal on her neck.”</p>
<p>Pete knelt beside the woman, listening to her words.</p>
<p>“Ayúdeme, Dios. Ahhhh, Dios.”</p>
<p>Pete translated.</p>
<p>“She is saying, ‘Help me, God.’”</p>
<p>Upon hearing Pete’s voice, the old lady’s eyes opened wide.</p>
<p>“Ell cráneo que chilla!” she said hysterically. “El cráneo de la calamidad!”</p>
<p>“What did she say?” I asked.</p>
<p>Pete stood up, his face pale as a ghost.</p>
<p>“Oh, man!” he said. “Screaming skull. Skull of calamity.”</p>
<p>“Skull of what?” I asked impatiently.</p>
<p>The grandmother seemed to be getting a second wind.</p>
<p>“El cráneo que chilla!” she cried. “Calamidad, oh Dios!”</p>
<p>Pete looked at me seriously and asked, “Have you ever heard of the Screaming Skull legends?”</p>
<p>“No.”</p>
<p>“Most of the stories come from England,” he said. “One of the best documented accounts took place around 1790 at Higher Farm in Somerset, England. The owner of the farm said that when he died, he wanted his skull to be kept in the farmhouse.”</p>
<p>“Why?” I asked.</p>
<p>“I don’t know, so he could, like, watch over his household from beyond the grave, or something. So his family kept his skull in a cabinet. Over the years, any attempt to remove the skull from the house, to dispose of it, resulted in poltergeist activity, horses going crazy in the stable, terrible thunderstorms, weird noises . . .”</p>
<p>“In England, maybe,” said the cop. “This is the Arizona desert.”</p>
<p>“Actually,” said Pete, “A guy named Olsen Archer wrote a book about American screaming skulls, which he says are rare because the United States is such a young country, compared to England.”</p>
<p>For the first time, I noticed the steer skull was missing.</p>
<p>“There was a bull skull on that shelf!” I said.</p>
<p>“Nah,” said Pete. “It’s always a human skull, not an animal.”</p>
<p>Subdued guitar notes drifted from the back room.</p>
<p>“It’s the kid,” I whispered. “He must have been hiding somewhere.”</p>
<p>Pete and the State Trooper followed as I quietly opened the door to the back room. The young boy, Atilano, stood with his back to us, head down in concentration, playing silvery arpeggios on his Fender Stratocaster.</p>
<p>The life of Atilano’s father, we learned later, was a tragic one. Everyone who listened to his demo tapes called him one of the best guitarists they ever heard. But the problem of presenting this unfortunate soul to the public seemed insurmountable, due to a serious birth defect.</p>
<p>Little Atilano turned slowly to look at us.</p>
<p>A combination of pity and horror overwhelmed me.</p>
<p>The boy had inherited his father’s elongated, bristly snout, flaring nostrils, watery rolling eyes, drooping ears . . .</p>
<p style="text-align: center;">***</p>
<p>While the boy’s grandmother recuperated in the hospital, Atilano’s young mother retrieved the misshapen skull of her child’s father from where she had buried it. It was the third, and last, time she tried to bury the memory of what happened almost ten years ago. When she was only sixteen, she had wandered into a barn. The barn later became an old sun-parched wooden gift shop, but in those days it was the place where Atilano’s grandparents kept their deformed son hidden away from society.</p>
<p>The boy still has my business card. I don’t know what I will do if he actually calls me. Maybe it’s time. Atilano has a “No Fear” bumper sticker on the side of his amplifier. Maybe the world is ready.</p></div>
<div class="endnotice">The End<em> </em><br />
<em>Atilano&#8217;s Blues</em><br />
Copyright © 2007 by Bill Ectric, All Rights Reserved</div>
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		<title>Weird Tales: Miss Glenly&#8217;s Dreadful Room</title>
		<link>http://www.candlelightstories.com/2009/12/01/weird-tales-miss-glenlys-dreadful-room/</link>
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		<pubDate>Wed, 02 Dec 2009 05:10:05 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[Author Bill Ectric]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Weird Tales]]></category>

		<guid isPermaLink="false">http://www.candlelightstories.com/?p=2942</guid>
		<description><![CDATA[By Bill Ectric Bill Ectric has been featured on the web by Literary Kicks, Dogmatika, Mystery Island, The Beat, Syntax of Things, Empty Mirror Books, 99 Burning, Lit Up Magazine, Zygote In My Coffee, and Minnesota Public Radio. Bill’s first novel, Tamper, is the rollicking story of two young fans of unexplained mystery and arcane [...]]]></description>
			<content:encoded><![CDATA[<!-- Flash Video Resizer 1.5 : 580pixel --><p><strong><img class="alignleft size-medium wp-image-2004" title="CandlelightWeirdTalesLogo" src="http://www.candlelightstories.com/Blog/wp-content/uploads/2009/06/CandlelightWeirdTalesLogo1-300x257.png" alt="CandlelightWeirdTalesLogo" width="300" height="257" />By Bill Ectric</strong></p>
<div class="authorinfo"><a href="http://www.billectric.com/">Bill Ectric</a> has been featured on the web by <em>Literary Kicks, Dogmatika, Mystery Island, The Beat, Syntax of Things, Empty Mirror Books, 99 Burning, Lit Up Magazine, Zygote In My Coffee,</em> and <em>Minnesota Public Radio</em>.</p>
<p>Bill’s first novel, <a href="https://www.createspace.com/3389038"><em>Tamper</em></a>, is the rollicking story of two young fans of unexplained mystery and arcane history. The story follows these aspiring paranormal investigators, Roger and Whit, from summer treasure hunts and dark autumn secrets, through estrangement and drug-induced psychosis, to the island of Malta, where, according to an actual 1940 National Geographic article, a field trip of children and their teacher disappeared without a trace in the ancient Hypogeum catacombs.</p>
<p>He lives with his wife in Jacksonville, Florida. By day, when not writing, Bill mows the lawn and complains about the heat. By night, he sneaks around in the back yard, convinced that the garden gnomes are “up to something.”</p>
<p><a href="http://www.candlelightstories.com/fiction/weird-tales/bill-ectrics-author-page/">Read Bill Ectric&#8217;s full bio and more stories on his Weird Tales author page</a>.</div>
<h2 style="text-align: center;">Miss Glenly&#8217;s Dreadful Room</h2>
<p style="text-align: center;">a short story with the ghost of Jacques Derrida looming in the text</p>
<div class="story">Wistful evenings sometimes begin with sunny afternoons and there is a certain part of me that likes being wistful. Miss Glenly understood that feeling more than anyone did when I was fourteen years old, walking home from school, stopping at her sunny house for a glass of iced tea and conversation during the prelude to sunset. She was cool for a sixty-seven year old woman, I thought. In the small town where we lived, Miss Glenly had knowledge of a wider world. Some of that knowledge turned out to be terrifying.She lived alone in a modest but nice, well-kept wooden house with a screened-in sun porch amid plants and books, some comfortable wicker chairs and a porch swing. Miss Glenly was a retired English teacher. Her husband had been Head of the Psychology Department at a nearby college before he died under vague circumstances.</p>
<p>“He was very ill, for quite some time,” is all Miss Glenly would say.</p>
<p>We sat in the wicker chairs and she brought out two glasses of delicious iced tea with orange slices instead of lemon wedges.</p>
<p>“What are you reading now?” she always asked. “Still into Double-O-Seven?”</p>
<p><span id="more-2942"></span></p>
<p>I had been reading all the James Bond books when I first went to her house to ask if she needed her lawn mowed, trying to earn some money during the summer. She did let me mow her lawn, and we became friends and she invited me to stop by anytime on the way home from school as summer ended and autumn began.</p>
<p>“No, I finished all the James Bond books,” I said. “I’m reading Dracula.”</p>
<p>“Ah, yes,” she said. “The red, gleaming eyes of Dracula, when he is looking at Mina through the fog, standing over the helpless Lucy. That’s the scene I remember.”</p>
<p>“I don’t think I’ve read that far yet,” I said.</p>
<p>“Well, I don’t want to give it away. You know, my late husband and I saw Bela Lugosi when he reprised his Dracula role on stage in the 1950’s.”</p>
<p>“Wow,” I said. “Was he good?”</p>
<p>“Lugosi was a consummate performer, despite his later reputation for strange behavior. But you know, I rather like the newer Dracula movie, with Anthony Hopkins and Gary Oldman.”</p>
<p>“Oh, yeah,” I said. “With Winona Ryder and Keanu Reeves.”</p>
<p>“Yes,” said Miss Glenly. “And that Tom Waits as Renfield. Such a performance! So scary and pathetic at the same time!”</p>
<p>That is how the conversations went until about six o’clock. Then I walked the rest of the way to my house. My parents got home from work around 6:30 and we ate dinner.</p>
<p>There was no hint that anything ever troubled Miss Glenly until we started talking about a literary idea called deconstruction. I never dreamed this would lead to such a shocking event.</p>
<p>“What is deconstruction?” I asked.</p>
<p>“It would be easier to demonstrate than to explain,” she said. “Give me a statement.”</p>
<p>“A statement? Like what?”</p>
<p>“Anything,” she said. “Your opinion on something.”</p>
<p>I looked around and said, “This is a cozy screened-in porch.”</p>
<p>“Oh,” smiled Miss Glenly. “This is the coziest room in the house.”</p>
<p>“Okay,” I continued. “That’s our sentence, ‘This is the coziest room in the house’.”</p>
<p>“Good.” Miss Glenly was now perky and involved. “You see, the word ‘cozy’ has a meaning to each person who hears it. You can’t hear ‘cozy’ without having a preconceived notion of what it means.”</p>
<p>“Ok,” I said. “But everybody knows what it means.”</p>
<p>“Do they?” she asked. “Does it mean the same thing to everyone?”</p>
<p>“Well,” I said, reaching for the Webster’s Dictionary, which she always kept on the table beside some crossword puzzle books. I looked up the word ‘cozy’ and read the definition aloud. “Enjoying or affording warmth and ease. Comfortable. Relaxing. Marked by intimacy of the family or a close group.”</p>
<p>“Right,” said Miss Glenly. “What about the word ‘most’? If this is the most cozy room . . .”</p>
<p>I interrupted, “So, what is the least cozy room in the house?”</p>
<p>My smile quickly faded when I saw the strange expression on Miss Glenly’s face. She was staring into the house through the door that led in to the kitchen. I shuddered because she looked afraid. I turned around quickly, thinking she was staring at something, but saw nothing but the inside of the kitchen.</p>
<p>“Are you okay, Miss Glenly?”</p>
<p>She didn’t answer. I felt alarmed.</p>
<p>“Miss Glenly?”</p>
<p>“Oh,” she said, suddenly looking at me. “Oh, I’m sorry. I…oh, dear, I’m…not feeling well…I guess I’m just tired.”</p>
<p>I didn’t know what to say.</p>
<p>“What were we just talking about?” she asked. “Oh, yes. Least cozy. I guess the. . .storage room isn’t very cozy.” She forced a nervous laugh.</p>
<p>“We were talking about deconstruction,” I reminded her. “But if you’re tired, I should probably be going anyway. We can talk about it later.”</p>
<p>“I’m sorry,” she said. “You’re right. Maybe I should lie down, take a nap. I’ll be fine.”</p>
<p>She walked over to the porch swing. The swing was made of wood, but it had thick vinyl cushions on it and a pillow at one end. There was always a light blue comforter on there, too, because Miss Glenly sometimes took naps on the porch swing. She wasn’t very tall, so she had only to bend her knees a little to lay on the swing, pull the comforter over her, and take a nap. Now that’s cozy, I thought.</p>
<p>On my way home, I kept thinking about it. If the screened-in porch is the most cozy, why is the storage room the least cozy? What is the opposite of cozy? Uncomfortable? Cold instead of warm? Producing anxiety instead of relaxation?</p>
<p>I remembered last Halloween when two friends and I were taking a short cut through Miss Glenly’s yard. We were too old to go trick-or-treating, but we liked to go out walking just to check out the scene, maybe get into some minor mischief. When we first passed her house, walking in the street, she was cheerfully handing out candy to costumed children. Much later that night, on our way home, we tromped across Miss Glenly’s dark lawn. As we passed the porch, we all jumped with fright at the sight of her sitting upright in the swing. She had been sleeping there until awakened by our voices.</p>
<p>We stopped in our tracks.</p>
<p>“Hello, boys,” she said. “Out for a walk?”</p>
<p>“We’re sorry. We didn’t know you were out here.”</p>
<p>“No harm done,” she had said. “I’ll go right back to sleep. There’s a cool Florida-Autumn breeze blowing and it’s too stuffy inside.”</p>
<p>A few days after our “cozy” conversation, I went to see Miss Glenly again but she wasn’t sitting on her porch. The screen door hung open. I walked into the porch area and knocked on the inner door. My knocking made the wooden door glide open. It must not have been shut all the way. I could see into her neat, clean kitchen.</p>
<p>“Miss Glenly?” I said, and knocked on the door a little louder. “Hello? Miss Glenly?”</p>
<p>I walked into the well-kept kitchen. No one was there. It didn’t seem likely that Miss Glenly would leave the door open.</p>
<p>“Miss Glenly?” I said, rather loudly.</p>
<p>No answer.</p>
<p>I walked from the kitchen into the hallway, realizing for the first time just how small this boxy house was. The first door to the left was the bathroom. There was one more door on the left (closed), no doors on the right, and one door facing me at the other end of the hall, also closed.</p>
<p>The door at the end of the hall had an old glass doorknob. There was something unusual about it. In the otherwise clean house, there was a thick cobweb stretching from the dull dusty glass knob and clinging to the wooden doorframe. This door obviously not been opened in a long time so I assumed this was the storage room. The only remaining room, the second door on the left, must be the bedroom, I thought. I knocked softly on it.</p>
<p>Something didn’t sound right. The rapping of my fist on the wood sounded muffled. I gripped the doorknob nervously and turned it slowly.</p>
<p>I gasped and backed up as door jolted open!</p>
<p>It only opened about an inch then nothing happened. It was just a closet stuffed so full of folded towels, sheets, and blankets that Miss Glenly must have pushed hard on the door to make it close and latch. So when I turned the knob, the compressed towels and linens had popped the door open about an inch. I opened the door wide. Just a closet.</p>
<p>I frowned and looked around. The only other door was the one at the end of the hall with cobwebs on it. If that is the bedroom. . . has she been sleeping on the porch swing every night?</p>
<p>I closed the closet door, pushing hard against the packed fabrics until the latch clicked.</p>
<p>Turning back to the kitchen, I looked out through the screen door. There was Miss Glenly, happily bustling from the bus stop with a shopping bag.</p>
<p>“Well, hello!” she said when she saw me in the kitchen. “Looking for me?”</p>
<p>“I’m sorry,” I said, walking out onto the screened-in porch. “I shouldn’t have walked in but I was worried. Your door was open. Can I help you with that bag?”</p>
<p>“You did the right thing,” she assured me, placing the bag on the porch table. “I must have left in too big a hurry. I was shopping. Sometimes I get anxious to leave the house.”</p>
<p>Her voice trailed off.</p>
<p>I asked, “What’s the matter, Miss Glenly?”</p>
<p>One thing I liked about her was she spoke to me like an adult, not a child.</p>
<p>“I’ve been . . . I’ve been depressed,” she said. “There’s no reason not to talk about it, I guess. Sometimes I can’t stand being in this house.”</p>
<p>“Oh,” I said. “Not even out here on the porch?”</p>
<p>“Not anymore,” she said. “I started thinking about the word ‘cozy’ and I thought, ‘the opposite of cozy is dreadful”.</p>
<p>“Why dreadful?” I asked.</p>
<p>“Because if this sun room is the most cozy, then some room has to be the least cozy. Instead of peace, anxiety. Instead of warmth, cold as nails. Instead of safety, a feeling of dread . . . a dreadful room.”</p>
<p>I just looked at Miss Glenly, feeling kind of scared.</p>
<p>She continued, “So if this screened-in porch is the least dreadful room, there must be a most dreadful room, right?”</p>
<p>“I guess so,” I said.</p>
<p>“And if the porch is the least dreadful room,” Miss Glenly’s lip began to quiver and tears were in her eyes. “It’s still a dreadful room,” she wept.</p>
<p>She sat down in one of the wicker chairs as I just stared at her, realizing that she must sleep out here every night because the only other room, what must be the bedroom, is the one with cobwebs on the doorknob.</p>
<p>“What?” I finally asked.</p>
<p>“If two people get caught in the rain,” she said, trying to compose herself, “Even the one who is the least wet is still wet! This porch is not as dreadful as . . . as . . . oh, but it’s still dreadful!”</p>
<p>She was crying again.</p>
<p>I was worried about my friend and couldn’t think of anything to say.</p>
<p>“You run along,” she said. “I’ll be alright. I have a doctor’s appointment tomorrow. Oh, this is so embarrassing.”</p>
<p>I didn’t see Miss Glenly as often after that. She was almost never home, always taking the bus to who-knows-where.</p>
<p>One day I had to take the bus to the Department of Motor Vehicles for a test to get my restricted license for Driver’s Education.</p>
<p>The bus driver asked me, “Is Miss Glenly alright?”</p>
<p>“I guess so,” was my usual response to any question I didn’t quite understand.</p>
<p>“Well,” said the bus driver, “I used to see her almost every day, but it’s been almost a week now since she’s taken the bus. Did she start driving?”</p>
<p>“I don’t think so,” I said, worried.</p>
<p>That evening I went to check on her. I went onto the screened-in porch. It was dark and quiet inside. I thought she wasn’t home.</p>
<p>I walked past the table and into the kitchen. The bathroom door on the left was open, no one in there. I passed the closet on the left. There were no doors to the right. Something was different about the door at the end of the hall. No cobwebs. The glass doorknob was clean.</p>
<p>I was going to knock softly on the door when a strange cold feeling hit my feet and legs. What was that? Cold air. I reached down and held my hand near the bottom of the door. Cold air was coming from under the door. There must be an air conditioner in there, I thought.</p>
<p>I went back down the hall, outside through the front door, and walked around to the back of the house.</p>
<p>Just as I thought, there was an air conditioner. A window unit. I had always heard it running; I just never thought about it before.</p>
<p>Somebody had painted over the ancient duct tape used to seal the edges of the AC unit in the window. The tape was dry and brittle, with curling edges. I peeled it back, until it cracked and fell away, exposing a half-inch space between the AC unit and the window frame. I could see inside the bedroom through this space. The drone of the AC covered the sound of my tampering. I looked in.</p>
<p>Miss Glenly looked so brave and proper as she sat at the edge of a bed, legs crossed like an elegant star of the silver screen, speaking to a wall of books. She was looking up at an entire wall covered with homemade wooden bookshelves, full of books, opposite from where she sat.</p>
<p>She was saying, “I’m sorry, Henry. I’m sorry! I know I should visit you more often. But you shouldn’t have left me the way you did.”</p>
<p>Suddenly books flew off the shelves, past Miss Glenly on both sides and over her head! The books crashed into the wall behind her. One of the books hit her forehead, drawing blood. Every book, two or three at a time, spinning off the shelves and flailing around Miss Glenly’s small but resolute figure. Another book hit her shoulder. She never raised her arms to protect herself. The books that missed her flew past and slammed hard on the wall behind her. One large hardback volume hit the paneled wall so hard it broke the wood and wedged itself into the paneling. An old pair of men’s shoes also went air-born and whizzed by Miss Glenly’s face and slapped against the wall, leaving scuffmarks.</p>
<p>Miss Glenly refused to let this terrifying barrage move her, even as the faint traces of a dry water stain on the wall behind the shelves began to glisten moist and crimson.</p>
<p>I ran as fast as I could, home.</p>
<p>When I tried to tell my parents what I saw, they got the idea that Miss Glenly herself had been throwing books around the room. They scolded me for spying on her.</p>
<p>My father said sternly, “You need to calm down!”</p>
<p>“But,” I asked, “Why would she throw books?”</p>
<p>“That poor woman,” my mother said. “We never told you this, but her husband committed suicide in that room. Who can blame her for getting hysterical sometimes?”</p>
<p>“And sleeping on the porch swing,” my father added.</p>
<p>I started thinking maybe I had imagined it. I lay on my bed that night, listening to music through my headphones, which was my other escape from the world besides reading. I stared at the ceiling until my eyelids got heavy and I fell asleep.</p>
<p>For the next two days, I did nothing but read a book about deconstruction called Spectres of Marx, by French author Jacques Derrida. The part about a “dancing table” caught my attention. At first, I imagined an animated cartoon, like Walt Disney’s Fantasia, with a wooden table scampering around the room. Derrida was making a point that the word “table” means different things to different people.</p>
<p>Wood from a tree becomes lumber. A carpenter fashions the lumber into a table. When one person sees that table, it might represent business executives having lunch at a bistro in the financial district. To the owner of the restaurant, it signifies one more space for a paying customer to sit. Others might think of dinner with his or her family, and by extension, their departed grandmother, whose memory is now but a ghost in the empty chair. The table dances with possibilities.</p>
<p>Time passed.</p>
<p>With some apprehension, I went back to visit Miss Glenly. She wasn’t home when I got there so I waited. Soon enough, the bus pulled up to the corner bus stop and she stepped onto the sidewalk carrying one of those shopping bags with handles on it and the name of the store on the bag.</p>
<p>She had a band-aid on her forehead.</p>
<p>“Hello,” she greeted me.</p>
<p>We walked onto the porch and sat down.</p>
<p>“I’ve been reading about deconstruction,” I told her.</p>
<p>She was silent for a moment, and then said quietly, “I didn’t do a very good job of explaining it to you. You know why? Because, in all my years of teaching English, I don’t think I ever fully understood the concept.”</p>
<p>“Well,” I began haltingly. “Let’s deconstruct the words cozy and dreadful.”</p>
<p>“Alright,” she said, seeming to be glad to get back to the old discussions we used to have.</p>
<p>I said, “You didn’t find this room to be “most cozy” based on the most dreadful room. If the dreadful room were the only dreadful place in your life, then anywhere in the world would be cozy compared to that room.”</p>
<p>“Oh,” she said. “I can think of other cozy places. The farmhouse I grew up in had a fireplace and in the winter, we sat around it and drank hot chocolate. And the dorm room in college was nice. Outside the window, squirrels darted around on the tree limbs.”</p>
<p>“Cool,” I said. “So you base the idea of cozy on good experiences.”</p>
<p>Miss Glenly gave me a closed-eyed smile and said, “Warmth and safe places.”</p>
<p>“What were some cold, bad places you remember?”</p>
<p>“Oh, my,” she said. “I’ll never forget the time Henry and I were on a luxury cruise in Alaska and the ship hit an iceberg. It was almost like the Titanic, only nobody died. However, we were frightened and cold, because the power was out and we didn’t know if we were going to make it back to port. That was a dreadful experience.”</p>
<p>“Dreadful?” I nudged. “Like that dreadful room in your house?”</p>
<p>“What about that dreadful room?” she shuddered.</p>
<p>“Well,” I said, “That room has nothing to do with this room. What do you dread?”</p>
<p>“Oh,” Miss Glenly began in an off-hand way, “Going to the dentist.”</p>
<p>“Me, too,” I said.</p>
<p>We were silent for a moment.</p>
<p>“I really dread going to funerals,” she said. “I mean, don’t we all?”</p>
<p>I said, “Dentists and funerals have nothing to do with fireplaces, hot chocolate, or dorm rooms.”</p>
<p>“I kept yelling at him to get up,” Miss Glenly said, confusing me for a moment. “I didn’t see the empty pill bottle. I thought he would rather be with his books than me. I thought he was asleep so I started pulling books off the shelves and throwing them at him. When he didn’t move, I got down and listened for his breath. He had overdosed.”</p>
<p>“I’m so sorry,” I said.</p>
<p>“Then I felt really guilty like I had killed him with the books but the coroner said he’d been dead for hours. But I still blamed myself. Aren’t I stupid? I dread that memory when I see it coming. I try not to think about it. In the winter, I used to stretch an indoor clothesline down the hall, from the kitchen to the bedroom, to hang the wash up to dry, so I wouldn’t have to go outside. After a while, it seemed like the clothesline connected the front of the house with the back, and I couldn’t stand it any longer after Henry died. So I took the clothesline down.”</p>
<p>“There are lines connected to those rooms,” I said. “But the lines don’t connect the rooms together.”</p>
<p>I drew two squares on a piece of paper, side by side, and then drew a straight line from one square to the other.</p>
<p>“There’s your clothesline,” I said, pointing at the line I had drawn. “Each square represents a room, connected by that line.”</p>
<p>Then I erased the horizontal line and drew two vertical lines, straight up &amp; down through each square. The lines did not cross; they were parallel.</p>
<p>Miss Glenly picked up a pencil and wrote a list of words at the bottom of each line. The first list was, “sad, cold, and afraid.” The second list was “happy, warm, cozy.”</p>
<p>She said, “My ideas of cozy and dreadful come from different experiences that formed separately. So, instead of two rooms being ‘connected’ by a line running through the hallway, it is more like each room has it’s own ‘line’ running straight up &amp; down. Two separate lines which never touch each other; each line connects to separate experiences in my life, good feelings and bad.”</p>
<p>“Right,” I said, surprising at myself. “The lines never cross, never intersect; they are independent of one another. The rooms are independent of each other, too. Each room based on independent past experiences; not based on each other.”</p>
<p>“I’m tired,” she said. “I’m going to have to take a nap.”</p>
<p>I went home.</p>
<p>Time passed.</p>
<p>One summer morning when I went to mow Miss Glenly’s lawn, I noticed the window AC unit was gone. In its place were a freshly painted window frame and some new lace curtains, drawn back partway so I could see into the room.</p>
<p>The bedroom was clean and picturesque. The golden sun flowed warmly through the window and onto Miss Glenly, sleeping in a real bed instead of a porch swing, the light blue comforter snuggled over her. Her alarm clock went off and she yawned, stretched, and smiled at the new day.</p>
<p>She had patched the hole in the wall where the book had stuck, repainted the wooden bookshelves, and carefully replaced each book, where they sat handsomely, at peace, satisfied to be taken down individually for some occasional light reading.</p></div>
<div class="endnotice">The End<em> </em><br />
<em>Miss Glenly&#8217;s Dreadful Room</em><br />
Copyright © 2008 by Bill Ectric, All Rights Reserved</div>
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		<title>&#8216;Pirate Jack&#8217; Novel on Scribd.com for Download</title>
		<link>http://www.candlelightstories.com/2009/07/01/pirate-jack-novel-on-scribd-com-for-download/</link>
		<comments>http://www.candlelightstories.com/2009/07/01/pirate-jack-novel-on-scribd-com-for-download/#comments</comments>
		<pubDate>Thu, 02 Jul 2009 06:22:01 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Online Literature]]></category>
		<category><![CDATA[download]]></category>
		<category><![CDATA[Pirate Jack]]></category>
		<category><![CDATA[pirates]]></category>
		<category><![CDATA[Scribd]]></category>

		<guid isPermaLink="false">http://www.candlelightstories.com/?p=2093</guid>
		<description><![CDATA[Pirate Jack I just went and uploaded the print version of the Pirate Jack adventure novel to Scribd.com.  That&#8217;s the embedded preview of the book in their viewer above.  You can read about 53 pages of the book for free and then pay $1.99 to get the entire thing.  It&#8217;s the book version of our [...]]]></description>
			<content:encoded><![CDATA[<!-- Flash Video Resizer 1.5 : 580pixel --><p align="center"><a style="margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;" title="View Pirate Jack on Scribd" href="http://www.scribd.com/doc/17024422/Pirate-Jack">Pirate Jack</a> <object id="doc_759121933201828" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="580" height="580" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="name" value="doc_759121933201828" /><param name="align" value="middle" /><param name="quality" value="high" /><param name="play" value="true" /><param name="loop" value="true" /><param name="scale" value="showall" /><param name="wmode" value="opaque" /><param name="devicefont" value="false" /><param name="bgcolor" value="#ffffff" /><param name="menu" value="true" /><param name="allowFullScreen" value="true" /><param name="allowScriptAccess" value="always" /><param name="mode" value="book" /><param name="src" value="http://d.scribd.com/ScribdViewer.swf?document_id=17024422&amp;access_key=key-27h98w0wqie8qek8uvwr&amp;page=1&amp;version=1&amp;viewMode=book" /><param name="allowfullscreen" value="true" /><embed id="doc_759121933201828" type="application/x-shockwave-flash" width="580" height="580" src="http://d.scribd.com/ScribdViewer.swf?document_id=17024422&amp;access_key=key-27h98w0wqie8qek8uvwr&amp;page=1&amp;version=1&amp;viewMode=book" mode="book" allowscriptaccess="always" allowfullscreen="true" menu="true" bgcolor="#ffffff" devicefont="false" wmode="opaque" scale="showall" loop="true" play="true" quality="high" align="middle" name="doc_759121933201828"></embed></object></p>
<p>I just went and uploaded the print version of the <em>Pirate Jack</em> adventure novel to <a href="http://www.scribd.com/doc/17024422/Pirate-Jack">Scribd.com</a>.  That&#8217;s the embedded preview of the book in their viewer above.  You can read about 53 pages of the book for free and then pay $1.99 to get the entire thing.  It&#8217;s the book version of our <em>Pirate Jack</em> podcast that you can find in our audio section.  We&#8217;re putting new chapters of the audio up each week.  I think $1.99 is a pretty good price for the whole book in <a href="http://www.scribd.com/doc/17024422/Pirate-Jack">downloadable Adobe PDF format</a>.  If you buy it have a great read!</p>
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		<title>Weird Tales: &#8216;Late Night TV&#8217;</title>
		<link>http://www.candlelightstories.com/2009/06/17/weird-tales-late-night-tv/</link>
		<comments>http://www.candlelightstories.com/2009/06/17/weird-tales-late-night-tv/#comments</comments>
		<pubDate>Thu, 18 Jun 2009 04:28:29 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Weird Tales]]></category>
		<category><![CDATA[short story]]></category>
		<category><![CDATA[strange]]></category>
		<category><![CDATA[tales]]></category>
		<category><![CDATA[weird]]></category>

		<guid isPermaLink="false">http://www.candlelightstories.com/?p=1962</guid>
		<description><![CDATA[By Heidi Logothetti Heidi Logothetti was born in Northern California and attended Santa Clara University. She currently lives in Alexandria, Virginia, and works in Washington, DC. She is an omnivorous reader, enjoys hiking, and loves old movies and anime. Today&#8217;s weird little tale concerns a woman and her television.  What&#8217;s the TV saying? Listen. It [...]]]></description>
			<content:encoded><![CDATA[<!-- Flash Video Resizer 1.5 : 580pixel --><p><strong><img class="alignleft size-medium wp-image-2004" title="CandlelightWeirdTalesLogo" src="http://www.candlelightstories.com/Blog/wp-content/uploads/2009/06/CandlelightWeirdTalesLogo1-300x257.png" alt="CandlelightWeirdTalesLogo" width="300" height="257" />By Heidi Logothetti</strong><em><br />
Heidi Logothetti was born in Northern California and attended Santa Clara University. She currently lives in Alexandria, Virginia, and works in Washington, DC. She is an omnivorous reader, enjoys hiking, and loves old movies and anime.</em></p>
<p style="text-align: left;">Today&#8217;s weird little tale concerns a woman and her television.  What&#8217;s the TV saying?  Listen.  It has something on its mind.  Through the chatter and between the channel surfs, is it trying to say more than you think?</p>
<p style="text-align: left;"><em>Adult Themes &#8211; Not Intended for Young Children</em></p>
<p style="text-align: left;"><span id="more-1962"></span></p>
<p style="text-align: center;">
<h2 style="text-align: center;">Late Night TV</h2>
<p style="text-align: center;">
<p>The vicodin has damped down the pain, but not quenched it entirely, so I leave my bed and go to the spare room. A needless move, since Mike hasn’t been home for days and the TV in our bedroom gets a better picture than the TV in the spare room, but I’ve read that you should only use your bed for sleep and sex. (I suppose I should have been avoiding my bedroom altogether, seeing how little of either I’ve gotten lately.)</p>
<p>A man in a lab coat is holding up a bottle and explaining how its contents naturally work with your body’s own natural mechanisms to promote natural weight loss. I flip the switch.</p>
<p>Black-and-white movie. A familiar-sounding waltz is softly playing. The scene is a large room, in darkness except for some light spilling (apparently) through a round, multi-paned window. The shadows upon the floor look like prison bars. A man carrying something on a tray walks across the floor unhurriedly but resolutely. He starts up the stairs, and I can see his face.  My guts clench. I change the channel.</p>
<p>A man in a hockey mask is using a chainsaw to dismember a blonde with tight clothes. I relax. She looks just like the hundred or so blondes who hung out on the Senior Lawn in high school; I never could tell them apart.</p>
<p>Commercial. “Hi, I’m Dr. Amanda Gillis, and I want to tell you about a totally new, revolutionary product that will erase your wrinkles&#8230;.” The woman looks very much like the chainsaw victim. I chuckle. After explaining that the product is based on an ancient Japanese secret, she introduces the creator, Dr. Cushing. He is pale and dark-haired, and his deep-set eyes glitter. It’s the same man as the one in the weight-loss product commercial. Click.</p>
<p>Bombs, palm trees, and men with helmets and guns running. Nope.</p>
<p>Not another black-and-white thing. Is that a really young Robert Redford? He’s dressed as a cop, and he’s talking to an old woman. Meh.</p>
<p>Godzilla! Yes! Who’s his opponent? Ghidorah! Ah, there’s Rodan (yawn) and Mothra (boring). At least those stupid miniature twins are nowhere in evidence. Ghidorah spews lightning from his three heads. Godzilla utters his trademark cry, which I last heard coming from the office photocopy machine when I tried to duplicate a 50-page document. I close my eyes, and I must have dropped off, because now Rodan and Mothra are swimming away and it’s the end of the movie. A commercial comes on, and I’m not surprised when it’s Dr. Cushing again. This time he’s promoting an entirely natural sleep aid that is guaranteed to….</p>
<p>A skinny white woman with a British accent has her arm around an African child dressed in a white t-shirt and tattered gray shorts. She earnestly explains how our donation of just 70 cents per day will provide food, clean water, and education for these children. I move my thumb over the control, but stop; even in my painkiller-and-insomnia-induced daze, I am ashamed because my first reaction is “Not another one of these Starving Brown Children appeals. I’ve heard this a million times.” I watch the woman point out the trash heap where the children search for food, the filthy river from which they take their water. It all bothers me vaguely, though I am unable to work myself up into feeling much emotion. The commercials feature a gray-haired couple talking about Your Final Expenses, Billy Mays hawking an amazing cleaning method, and a middle-aged woman who completed her online education in medical billing and now makes triple her previous salary. I am relieved and slightly disappointed when I don’t see Dr. Cushing. The woman comes back on, now surrounded by a couple dozen smiling children in school uniforms. I almost call the number listed prominently on the screen, but decide that it would be far too much effort to get up, find a pencil, write the number down, get my wallet, go to the telephone, etc. Also, I had read that you should research charitable concerns before you give to them; you should see how much of their funds actually go toward the cause. Right, now that I’ve been socially responsible, it’s time to change the channel.</p>
<p>A Lifetime Original Movie about a woman coping with the death of her child, who is being framed….Next.</p>
<p>A man with thick-rimmed glasses is holding a flaming bunch of newspapers and waving it toward some leafy vines that are reaching out to him. The color is bright and a bit grainy; looks like a 60s movie. The vines jerk back; the man flings down the newspapers and bolts. The vines slither around the still-burning newspapers and beat out the flames. They close in and fill the screen….The scene changes to a close-up of a different man on a train. He looks pale and disturbed. The camera pulls back and shows other people watching him, among them a bearded man with fingerless gloves and a dark cloak and hat. The bearded man tells him that this future can be avoided and turns over a tarot card; it depicts a skeleton, the death-card.</p>
<p>This is not one of the commercial-less movie channels, and now my friend is onscreen, explaining how his product can take away your pain without any need for pills. This is actually interesting, though I snort skeptically. I hear testimonials from various real-life people (not actors!) who have been cured of their acute or chronic pains with this stuff. I surf.</p>
<p>Another black-and-white movie. An oddly hollow, old woman’s voice, and a young man with a little smile and crazy eyes.</p>
<p>News—a bombing in Indonesia.</p>
<p>Title credits—The Grapes of Wrath. That commercial has to be over now; I navigate back to the horror movie.</p>
<p>I learn that the bearded man is called “Dr. Schreck.” Cheesy. Another of the train passengers, a cheerful but slightly nervous blond man, taps three times on a stack of Tarot cards, snapping his fingers after each tap. Dr. Schreck lays out the cards, and the scene fades to a story about a voodoo curse. I do not change the channel, and in the successive commercial breaks, Dr. Cushing pushes products that will take away anxiety and depression, acne, and rheumatism. (The FDA has not evaluated any of the claims made for these products.) I have now entered that odd state of clarity experienced during a dream, a fever, or an extended waking period, and it does not occur to me that this doctor’s ubiquity is unusual even for late-night television.</p>
<p>It also does not surprise me when, at the end of the movie, Dr. Cushing interrupts his sale of an acid-reflux treatment to ask me if I had enjoyed the movie. I say that I had, but that it didn’t take me very long to guess the ending. He then asks me if I was clever enough to guess what sort of treatment cured obesity, wrinkles, insomnia, pain, anxiety, depression, acne, and rheumatism. I didn’t know.</p>
<p>“But wait! There’s more!” he says, and his eyes glitter more than ever. “My product will remove loneliness, loss, betrayal, joblessness, money problems, madness, even, eventually, war and famine….”</p>
<p>“Oh. Clever. When do you turn into a skeleton?”</p>
<p>“I hope you don’t think that was a witty remark.”</p>
<p>“I don’t. I don’t quite get it, though. Am I already dead, or are you trying to make me kill myself?”</p>
<p>“Neither. You’ve taken a lot of those vicodins; your breathing has gradually slowed, and it’s about to stop. You’re—forgive the cliché—at death’s door.”</p>
<p>Cary Grant—that was the name of the actor, the one in the first movie, who looked so much like Mike. Mike had, after I’d been laid off and gotten fat and pregnant, gone off with the blonde admin in his office. Talk about cliché. I had not told him about the miscarriage.</p>
<p>At this point, I should be going toward the light or having some life-affirming epiphany about how life is worth the struggle and pain and whatnot. No light, except for the bluish glow of the screen. I checked my addled brain; no epiphany, just a bleak sense that it would be really depressing to rot here for days until my bloated corpse stank enough to attract attention.</p>
<p>Oh, well, I suppose vanity can be life affirming. The drug and lack of oxygen are obviously playing tricks on me, but it is my impression that I am hoisting myself to my feet, stumbling over to the phone, picking up the receiver, and dialing 9-1-1. Dr. Cushing is grinning from the TV. “Fuck off,” I mumble, and turn back to the phone.</p>
<p style="text-align: center;">
<p style="text-align: center;">
<p style="text-align: center;">The End</p>
<p style="text-align: center;">
<p style="text-align: center;">
<p style="text-align: center;">&#8220;<em>Late Night TV</em>&#8221; Copyright © 2009 by Heidi Logothetti, All Rights Reserved</p>
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