Oakland Police Smash Skull of Iraq War Veteran at Peaceful Protest

MATURE CONTENT – DISTURBING IMAGES AND LANGUAGE
In Oakland, Tuesday evening, police fractured the skull of Occupy Oakland protester Scott Olsen who is an Iraq war veteran.  Police apparently fired a projectile at his head. Mr. Olsen is in critical condition.

Oakland is an American city where police will lay a person out on a subway platform and brutally murder them with a bullet through the back. They are now firing deadly projectiles at Occupy Oakland protesters.

The use of projectiles by police against crowds is in fact a use of potentially deadly force and should be defended against as such. Any firing of a projectile toward crowds or individuals must be viewed as potentially deadly. The protesters would now seem to have a legal argument for self defense.

I predict that this protester and his injuries will soon cost the city Oakland tens of millions of dollars in damages.

That’s the thing about this movement.  It’s got a lot of very smart and well-educated people involved and they have really powerful attorneys who are going to rip Oakland a great big new asshole.

Oakland police were also filmed firing projectiles at people who went to administer first aid to the seriously injured Olsen. You can see that toward the end of the following video. I’m not sure I’ve ever seen anything quiet like that, but I am very certain that the police officer who fired this projectile at people rendering assistance to an injured person can face serious criminal charges.

Cuadecuc, Vampir: 1970 Spanish Underground Dracula Film Shot as Attack on General Franco

Here’s an extremely rare underground Halloween treat for anyone who loves film.  Ah, but only the very fewest of you will actually watch this all the way through! Give it a try. Not only is this film underground… it’s underhanded. Pere Portabella made ‘Cuadecuc, Vampir’ in 1970 by filming on the set of a Christopher Lee film called ‘Count Dracula’ that was being directed by Jesus Franco.  Portabella’s underground classic is on its surface a silent horror film. But it’s also a documentary about the making of the Dracula film.  It tells its story by stealing scenes from the feature being shot around it, almost as if the film were a mashup of existing footage! The high-contrast black and white photography evokes such cinema greats as Carl Theodor Dreyer’s ‘Vampyr’ and F.W. Murnau’s ‘Nosferatu.’ We see typical horror scenes like a stagecoach racing through the wilderness, or a dusty crypt, interrupted by the arm of a prop person using a fan to blow fake spiderwebs or a cameraman shooting from behind furniture. These slippages from horror into documentary actually produce a weird terror when you realize that the film was being shot under the watchful eyes of Spain’s dictator, General Francisco Franco.  What the film really is underneath all the fantastic and disturbing imagery is a vicious attack on Franco and the false media manipulation that keeps all dictators in power.  The portrait it paints of Franco himself is one of a sad, disturbed and largely ineffective vampire who lives inside a mental construction based on the past.  The other characters in the film seem to be wandering through this psychotic realm, trying to find a way out.

The soundtrack incorporates jet engines, muzak, electronic music, opera singing, jackhammers, stuck records and various other electronic sounds. Don’t let this throw you because the soundtrack is one of the most eerie and unsettling that you will ever hear.

And I’m thinking that Criterion needs to jump on this and make a nice blu-ray release out of it.

Pere Portabella has a web site.

Now, just for kicks, here is a scene from the actual color film of Dracula being shot while Pere Portabella stole his own film right under Christopher Lee’s nose! You decide which film seems scarier.

Edgar Allan Poe’s ‘The Raven’ Illustrated by Paul Gustave Doré

This incredibly beautiful edition of Edgar Allan Poe’s ‘The Raven’ was published in 1884 with illustrations by Paul Gustave Doré. Click on the images to see full sizes.

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore–
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“‘Tis some visiter,” I muttered, “tapping at my chamber door–
Only this and nothing more.”

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Four Reasons to Support Occupy Wall Street

Yes, deregulation of the banking industry has led to absolute chaos and total criminality. It is abundantly obvious. The presidents serving since 1980 have been completely owned by corporate lobbyists, as have all senators, representatives and Supreme Court justices. I have arguments with some of the tactics of Occupy Wall Street, but I think they are very minor compared to the overall message. The separation of government from corporations has become an urgent necessity and does in fact require a mass movement of people across the placid lawns of government. Politicians should be examined for any corporate connections whatsoever and immediately dismissed if they fail the test. Corporations should be checked for any attempts at electoral influence. A Constitutional amendment that declares corporations to be nothing more than legal abstractions and forbids them from influencing the federal government is essential. After all, corporations seek to produce products at the lowest possible cost and currently do so by using concentration camps in China. They would gladly build those concentration camps in the U.S. if it was cost-effective. Such entities cannot be allowed the slightest influence on American politics. We may be forced to totally ban all political contributions that do not come directly from an individual person.

Los Angeles to Ease Restrictions on Murals

The Los Angeles Times reports that the City Council is easing its restrictions on outdoor murals.  It will no longer classify them the same way it does billboards.  Since 2002 it has been illegal to paint a mural on private or public property because the artworks are considered advertisements.  But Los Angeles is going to try to do a better job of distinguishing between the two.

Of course this will all get muddled again as soon as an artist paints a figure holding a can of Coke!  Is it art or is it an ad?  As a rule though, it is never difficult to tell when something is a giant ad and when it’s not.  It just takes a little common sense and observation.  Surely the City Council can manage this.

But the bottom line is that the murals of L.A. are inspiring and extraordinary.  The city needs to reclaim its title as ‘The Mural Capital of the World!’

The photo is a portion of a photo by Al Seib for the Los Angeles Times,  April 6, 2011.

Is Occupy Wall Street Encouraging Bigotry?

Who are the one percent?

Does anyone pay attention to what is being said when this ‘1%’ thing is thrown around?

Here’s a direct quote from the OccupyWallSt.org About page and must therefore be the definitive statement of the movement’s intentions:

‘The movement is inspired by popular uprisings in Egypt and Tunisia, and aims to expose how the richest 1% of people are writing the rules of an unfair global economy that is foreclosing on our future.’

If you replace ‘richest 1% of people’ with different words like ‘Muslims’ or ‘Jews’ or ‘Whites’ or ‘Blacks’ or ‘Poor People,’ wouldn’t you have a serious problem?

Why is it that Occupy Wall Street can define a 1% minority out of a population and engage in open hostility and bigotry toward them? Bigotry against a part of a population is bigotry no matter what the rationale for it happens to be. Occupy Wall Street is not talking about corrupt rich people. It is not talking about criminals. It is talking about ALL rich people. It is equating wealth with villainy.

It should be obvious that not all of the richest people are in fact helping to write unfair rules. Michael Moore is rich. Is he writing some of the unfair rules?

Why is Occupy Wall Street unable to confine its hostility to actual policy?

In Germany, during the buildup of Nazism, people grew increasingly angry toward the wealthy and then turned that anger toward Jewish people.  Angry crowds, encouraged to chant mantras and direct hostility toward groups that they define as evil become extremely dangerous when exposed to a charismatic leader who is willing to exploit them.

I do not oppose constructive change of policy to make the economic situation more fair and to prevent the corporate control of government.  But I do oppose the fundamental and defining aspect of Occupy Wall Street which is to associate a particular group of people with a generic and unspecified evil.

Halloween Action Game: Vampire Hunter

Defend the house against the vampires coming in through the window!  Use your crossbow and silver-tipped arrows to destroy the undead vermin before they can hypnotize you with their mind control powers.

Hints: Shoot the bats and flying mist for points.  For more points, wait for the bats and mist to turn into the vampire.  Then shoot him in the chest.  But you only have a second to get him before he stuns you with his mind control.

Reload your crossbow by pressing the spacebar.

Now go kill some vampires!

Batman and Robin: Amazingly Awful 1949 Columbia Pictures Serial

Batman and Robin was a Columbia Pictures serial of 1949. It starred Robert Lowery as the batman and a rather stolid little fellow named Johnny Duncan. It’s a totally awkward, cheesy and humorless affair that very perfectly captures the true spirit of the comic book.  But shockingly there’s no batmobile!  The caped crime-fighting duo drive around in an old Mercury convertible as if they’re married and looking for a gas station.

Look, if Christopher Nolan wants to try to convince us all that he can make gritty realistic films about Batman, go ahead and let him. He’s wasting his own time. Batman is an absurdity and should be filmed as such. Enjoy this horrendous bit of movie serial history and don’t try to figure out all the machines and criminal plots. None of it makes any sense at all!
 

Hallow’s Eve and the Pumpkin Dream: A Short Film by Adam Sager

Film compositor Adam Sager made this beautiful short film for Halloween with his family. He’s created a perfect old dream film that celebrates the holiday by being mysterious, spooky and gorgeous.  This guy has got some amazing work under his belt, including work credited as paint & roto artist on the feature film ‘Coraline.’

Sagerdigital.com.